02309cam a2200421 i 450010.7722/CQXE4855MiU20241218053415.0m o d cr cna||||||||190905t20262020enka ob 001 0 eng d9781800103498electronic book9781640140721(hardcover)1640140727(hardcover)9781787446632pdf10.7722/CQXE4855doiMiUengpnrdaMiUe-ge---PN1998.3.W64Powell, Larson,1960-author.http://id.loc.gov/authorities/names/no2004037693http://id.loc.gov/rwo/agents/no2004037693http://viaf.org/viaf/50125747http://isni.org/isni/0000000114723937The films of Konrad Wolf :archive of the revolution /Larson Powell.Woodbridge :Boydell & Brewer,2026.©20201 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierScreen cultures : German film and the visualIncludes bibliographical references (pages 275-308) and index.Introduction : shadowlines : viewing Wolf's films -- Einmal ist keinmal (1955) -- Genesung (1956) -- Lissy (1957) -- Sonnensucher (1958/1972) -- Sterne (1959) -- Professor Mamlock (1961) -- The Minor Films: Leute mit Flügeln (1960), Der kleine Prinz (1966/1972), Busch singt (1982) -- Der geteilte Himmel (1964) -- Ich war neunzehn (1968) -- Goya (1971) -- Der nackte Mann auf dem Sportplatz (1974) -- Mama, ich lebe (1977) -- Solo Sunny (1980)."This is the first book in any language on the films of Konrad Wolf (1925-1982), East Germany's greatest filmmaker, and puts Wolf in a larger European filmic and historical context"--Provided by publisher.Wolf, Konrad,1925-1982Criticism and interpretation.Motion picturesGermany (East)History.http://id.loc.gov/authorities/subjects/sh2010102532Electronic booksScreen cultures.http://id.loc.gov/authorities/names/no2008076547http://viaf.org/viaf/176481356https://doi.org/10.7722/CQXE4855No-worldcatMPubCataloging 01306pam a2200349 i 450010.7722/DBVY8916MiU20241218013422.0m o d cr cna||||||||200724t20262020enka ob 001 0 eng d9781787446441electronic book9781787445710pdf10.7722/DBVY8916doiMiUengpnrdaMiUPN1997.2.W44Naqvi, Fatima,author.The white ribbon /Fatima Naqvi.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierGerman film classicsIncludes bibliographical references and index."Explores Haneke's historically complex film as a reflection on purity, ideology, violence, and child-rearing"--Provided by publisher.Weisse band (Motion picture)http://id.loc.gov/authorities/names/no2016104305http://id.loc.gov/rwo/agents/no2016104305http://viaf.org/viaf/316752385Electronic bookshttps://doi.org/10.7722/DBVY8916No-worldcatMPubCataloging 01482cam a2200385 i 450010.7722/DXOM7603MiU20241218030745.0m o d cr cna||||||||151026t20262016enka ob 001 0 eng d9781787446427electronic book9781571139115((hardcover ;)alk. paper)1571139117((hardcover ;)alk. paper)9781782046905pdf10.7722/DXOM7603doiMiUengpnrdaMiUPN1998.3.H477Johnson, Laurie Ruth,author.Forgotten dreams :revisiting romanticism in the cinema of Werner Herzog /Laurie Ruth Johnson.Woodbridge :Boydell & Brewer,2026.©20161 online resource :color illustrations texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierScreen cultures : German film and the visualIncludes bibliographical references (pages 219-284) and index.Herzog, Werner,1942-Criticism and interpretation.Romanticism.http://id.loc.gov/authorities/subjects/sh85115078Electronic booksScreen cultures.http://id.loc.gov/authorities/names/no2008076547http://viaf.org/viaf/176481356https://doi.org/10.7722/DXOM7603No-worldcatMPubCataloging 02802cam a2200421 i 450010.7722/EDXI1354MiU20251107030146.0m o d cr cna||||||||211211s20262022enk ob 001 0 eng d9781805432234electronic book9781640141261hardcover9781800105829pdf10.7722/EDXI1354doiMiUengpnrdaMiUengdane-dk---PN2748.N5Nielsen, Asta,1881-1972,author.Tiende muse.English.The silent muse :the memoirs of Asta Nielsen /Asta Nielsen ; edited and translated by Julie K. Allen.Woodbridge :Boydell & Brewer,2026.©20221 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references, filmography, and index.Foreword / Jennifer M. Bean -- Introduction / Julie K. Allen -- My path to film -- Film."From her explosive screen debut in The Abyss (1910) through her "scandalous" fourth marriage at age 89, the Danish actress Asta Nielsen (1881-1972) was a darling of fans and the press, a global star without parallel in the silent era. So famous in Germany that she was known simply as "die Asta," during her two decades of active filmmaking Nielsen also published about her career, her impoverished childhood, her breakthrough into film, the price of fame, and her interactions with the German film industry. In 1938 Nielsen returned to Denmark, where she published her memoirs in two volumes in 1945-46, expanding on her earlier writings. This carefully crafted, colorful text offers eyewitness insights into early European film, Nielsen's star persona, and the challenges of stardom in Germany in the tumultuous period before World War II. Yet although they have appeared in multiple Danish, German, and Russian editions, the memoirs have never been published in English until now. Nielsen's work has enduring value for transnational film history, and the recent growth of interest in women's contributions to early film makes the time ripe for this translation. Julie K. Allen accompanies the text with a scholarly introduction and annotations, and a foreword by leading early film scholar Jennifer M. Bean frames the volume"--Provided by publisher.Nielsen, Asta,1881-1972.Motion picture actors and actressesDenmarkBiography.Electronic booksAllen, Julie K.,editor,translator.https://doi.org/10.7722/EDXI1354No-worldcatMPubCataloging 03754cam a2200481 i 450010.7722/FHKA6086MiU20241217203550.0m o d cr cna||||||||210126t20212021nyu ob 001 0 eng d9781800101777electronic book1640140743(hardcover)9781787447981(electronic book)9781787447981pdf10.7722/FHKA6086doiMiUengpnrdaMiUenggere-gx---NX180.S6The tender gaze :compassionate encounters on the German screen, page, and stage /edited by Muriel Cormican and Jennifer Marston William.Woodbridge :Boydell & Brewer,2026.©20211 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierWomen and gender in German studiesIncludes bibliographical references and index.Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann."The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--Provided by publisher.English ; one contribution in German.Arts and societyGermanyHistory21st century.Affect (Psychology) in motion pictures.http://id.loc.gov/authorities/subjects/sh2019103618Affect (Psychology) in literature.http://id.loc.gov/authorities/subjects/sh2012001513Gaze in art.http://id.loc.gov/authorities/subjects/sh2004000283Electronic booksCormican, Muriel,1969-editor.http://id.loc.gov/authorities/names/nr2002013837http://id.loc.gov/rwo/agents/nr2002013837http://viaf.org/viaf/107261067http://isni.org/isni/0000000078929005William, Jennifer Marston,editor.Women and gender in German studies.http://id.loc.gov/authorities/names/no2018165058http://viaf.org/viaf/33154440192835342698https://doi.org/10.7722/FHKA6086No-worldcatMPubCataloging 02309cam a2200433 i 450010.7722/GIME6161MiU20241218052419.0m o d cr cna||||||||180122t20262018enk o 001 0deng d9781782048107electronic book9781783273256(hardcover)1783273259(hardcover)9781787442825pdf10.7722/GIME6161doiMiUengpnrdaMiUe-uk-stML417.T64Tomes, Susan,author.Speaking the piano :reflections on learning and teaching /Susan Tomes.Woodbridge :Boydell & Brewer,2026.©20181 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes index.This is a book to appeal to a wide range of readers - pianists of every level from beginner to professional, piano teachers, musicians of all kinds, and the broader community of music-lovers.Section One: Teaching; Enlisting the imagination; Pretending to be other people; Why don't people play better?; Grappling with the instrument; Words and signs; Tempo is character; Connecting the beats; Sensing the style; Imagery, positive and negative; Different physiques; The inescapability of one's own nature; What we talk about in lessons; The benefit of hindsight; Fusion cooking; 'You'll find the black notes play louder than the white ones'; 'For me this is like jazz'; Is playing the notes enough to reveal the music? To sway or not to sway; How important is it to hear the sound?; Section Two: Learning; Beethoven among the Alpine flowers; Not all those who wander are lost; The sound of two hands clapping; Music lights up the brain; Epilogue; IndexTomes, Susan.Tomes, SusanKnowledge and learning.PianoInstruction and study.http://id.loc.gov/authorities/subjects/sh85101729PianistsScotlandBiography.Piano teachersScotlandBiography.Electronic bookshttps://doi.org/10.7722/GIME6161No-worldcatMPubCataloging 03446cam a2200445 i 450010.7722/HNHG8340MiU20241217212018.0m o d cr cna||||||||210327t20262021enka ob 000 0 eng d9781800103139electronic book164014109X(paperback)9781800103122pdf10.7722/HNHG8340doiMiUengpnrdaMiUPN1997.2.T66Gemünden, Gerd,1959-author.http://id.loc.gov/authorities/names/n88273328http://id.loc.gov/rwo/agents/n88273328Toni Erdmann /Gerd Gemünden.Woodbridge :Boydell & Brewer,2026.©20211 online resource :color illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierGerman film classicsIncludes bibliographical references.A question of performance -- A Cannes sensation -- Learning from Andy Kaufman -- "I like countries with a middle class" -- The end(s) of sleep -- "What do you mean by 'happy'?" -- "Merkel Kino?""Maren Ade's tragicomedy Toni Erdmann, a 2016 Cannes sensation and Oscar nominee, is an internationally acclaimed classic of recent German cinema. By turns hilarious, cringeworthy, and heart-wrenching, the film revolves around Winfried, a retired music teacher and prankster trying to rebuild a relationship with his daughter Ines, a high-powered business consultant based in Bucharest. At its center, this unpredictable scenario pits one type of performance - Ines's efforts to meet the unyielding expectations of the new economy - against another - Winfried's anarchic role-play meant to disrupt the standardization of life. This book, the first in-depth analysis of the film, explores the many layers of this generational tug-of-war about the meaning of life, work, and death. Employing Ade's trademark minimalist style, the film deftly comments on the precarity of life; the gendering of labor in the new economy; the re-definition of feminism by the children of the generation of 1968; and reconfigured East-West relations in post-Wall Europe. Lastly, in light of Ade's artisanal mode of filmmaking, in which she regularly assumes the role of writer, director, and producer, Toni Erdmann becomes a highly self-reflexive comment on the neoliberal dictates of global art cinema"--Provided by publisher.Ade, MarenCriticism and interpretation.Toni Erdmann (Motion picture)http://id.loc.gov/authorities/names/no2021040244http://id.loc.gov/rwo/agents/no2021040244http://viaf.org/viaf/463148753677141320008Fathers and daughters in motion pictures.http://id.loc.gov/authorities/subjects/sh2011001707Conflict of generations in motion pictures.http://id.loc.gov/authorities/subjects/sh92001781Work in motion pictures.http://id.loc.gov/authorities/subjects/sh2005006037Labor in motion pictures.http://id.loc.gov/authorities/subjects/sh2020006325Electronic booksCamden House German film classics.http://id.loc.gov/authorities/names/no2020032270http://viaf.org/viaf/34158367694501281412https://doi.org/10.7722/HNHG8340No-worldcatMPubCataloging 01727nam a2200469 i 450010.7722/HRHV4552MiU20260212144656.0260212t20262021enk ob 001 0 eng d9781855663466(hardcover)9781800100855(ebook)9781787442665ebook1787442667ebook9781800101005pdf1800101007pdf10.7722/HRHV4552doiMiUengpnrdaMiUEYMGPN1992.8.S43Smith, Paul Julian,author.https://id.oclc.org/worldcat/entity/E39PCjHkyB3r7XxBFQj7byCGH3Mexican genders, Mexican genres :cinema, television, and streaming since 2010 /Paul Julian Smith.Woodbridge :Boydell & Brewer,2026.©20211 online resouce (viii, 212 pages)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierTamesis studies in popular and digital cultures ;volume 1Includes bibliographical references and index.Television programsMexico.TelevisionMexicoHistory21st century.Motion picturesMexicoHistory21st century.Social mediaMexico.Streaming technology (Telecommunications)Social aspects.Sex role in motion pictures.Sex role on television.Electronic booksTamesis studies in popular and digital cultureshttps://doi.org/10.7722/HRHV4552No-worldcatRecordExternalImportMPubCataloging 02351nam a2200361 i 450010.7722/IROD4099MiU20201217102417.0m|||||o||d||||||||cr cna||||||||201217t20262020nyua o 000 0 eng d9781800106345electronic book17874492039781787449206pdf10.7722/IROD4099doiMiUengpnrdaMiUPN1997.G5742Barzilai, Maya,author.The golem, how he came into the world /Maya Barzilai.Woodbridge :Boydell & Brewer,2026.©20201 online resource (78 pages) :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierCamden House German film classics"Actor and director Paul Wegener released his 1920 silent film The Golem, How He Came into the World in the aftermath of Germany's defeat in World War I. The film's innovative cinematography, lighting effects, modernist architectural design, and thrilling plot all led contemporaneous viewers and critics to pronounce that Germany had finally succeeded on the film front if not on the battlefield. The Golem, How He Came into the World, Wegener's third golem film, narrates how Rabbi Loew, here an astrologer and sorcerer as well as a spiritual leader, forms and animates an artificial clay anthropoid in order to save the Prague Jewish community from an edict of expulsion. Maya Barzilai situates the 1920 film in the historical and social context of post-World War I Germany, taking into consideration Wegener's violent and traumatic service on the Western front. She closely analyzes the film's expressive sculptural aesthetic, enhanced through poetic cinematography, arguing that Wegener's animation of cinema also served a postwar ethical purpose: revealing the human face of the golem and offering a redemptive escape from the the film's Christian-Jewish conflict through nature on the one hand and Zionism on the other."--From Amazon.Golem (Motion picture : 1920)Electronic booksCamden House German film classics.https://doi.org/10.7722/IROD4099No-worldcatMPubCataloging 01440cam a22004097a 450010.7722/ISMO1393MiU20241218005926.0m o d cr cna||||||||110614t20262011enkaf ob 001 0aeng d9781782044406electronic book9781843830917(pbk.)1843830914(pbk.)9781846151033pdf10.7722/ISMO1393doiMiUengpnrdaMiUe-uk-enFerrier, Kathleen,1912-1953.http://id.loc.gov/authorities/names/n84156790http://id.loc.gov/rwo/agents/n84156790Letters and diaries of Kathleen Ferrier /edited by Christopher Fifield.Woodbridge :Boydell & Brewer,2026.©20111 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierPrevious ed.: 2003.Includes bibliographical references and index.Ferrier, Kathleen,1912-1953Correspondence.Ferrier, Kathleen,1912-1953Diaries.ContraltosEnglandCorrespondence.ContraltosEnglandDiaries.Electronic booksFifield, Christopher.https://doi.org/10.7722/ISMO1393No-worldcatMPubCataloging 02371pam a2200421 i 450010.7722/JIDS2800MiU20241218060916.0m o d cr cna||||||||161111t20262017nyuaf obk 001 0aeng d9781571138682electronic book9781580465915((hardcover ;)alk. paper)1580465919((hardcover ;)alk. paper)9781782049463pdf10.7722/JIDS2800doiMiUengpnrdaMiUML417.K66Kirkpatrick, Ralph,author.Reflections of an American harpsichordist :unpublished memoirs, essays, and lectures of Ralph Kirkpatrick /edited by Meredith Kirkpatrick.Woodbridge :Boydell & Brewer,2026.©20171 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music ;v. 140Includes bibliographical references, discography, and index.Part one. Memoirs, 1933-77 -- Part two. Reflections: On performing ; On recording ; On chamber music ; On harpsichords and their transport -- Part three. Essays: Elliott Carter's Double concerto (ca. 1973) ; On editing Bach's Goldberg variations: for Arthur Mendel (March 31, 1973) ; RK and music at JE [Jonathan Edwards College] (1983) ; The equipment and education of a musician (1971) ; Bach and Mozart for violin and harpsichord (ca. 1944) ; The early piano (broadcast on BBC Radio 3, Music weekly, September 23, 1973) -- Part four. Lectures (Yale University. 1969-71): Bach and keyboard instruments ; In search of Scarlatti's harpsichord ; Style in performance ; The performer's pilgrimage to the sources ; Private virtue and public vice in the performance of "Early music".Kirkpatrick, Ralph.HarpsichordistsBiography.Harpsichord musicHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008121415Electronic booksKirkpatrick, Meredith,editor.Eastman studies in music ;v. 140.http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/JIDS2800No-worldcatMPubCataloging 01638pam a2200397 i 450010.7722/JQGY9992MiU20241218005917.0m o d cr cna||||||||190430t20262019enka eob 000 0 eng d9781787449589electronic book1640140360((pbk. ;)acid-free paper)9781787445697pdf10.7722/JQGY9992doiMiUengpnrdaMiUe-gw---PN1997.2.F58Koepnick, Lutz P.(Lutz Peter),author.http://id.loc.gov/authorities/names/no95024684http://id.loc.gov/rwo/agents/no95024684Fitzcarraldo /Lutz Koepnick.Woodbridge :Boydell & Brewer,2026.©20191 online resource :illustrations (chiefly color) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierCamden House German film classicsIncludes bibliographical references.Herzog, Werner,1942-http://id.loc.gov/authorities/names/n80015779http://id.loc.gov/rwo/agents/n80015779Fitzcarraldo (Motion picture)http://id.loc.gov/authorities/names/n83038840http://id.loc.gov/rwo/agents/n83038840Motion picturesGermany (West)Electronic booksCamden House German film classics.http://id.loc.gov/authorities/names/no2020032270http://viaf.org/viaf/34158367694501281412https://doi.org/10.7722/JQGY9992No-worldcatMPubCataloging 03079cam a2200421 i 450010.7722/KFMP5928MiU20251107030146.0m o d cr cna||||||||210611t20262021enka ob 000 0 eng d9781800102767electronic book1640140913paperback9781800102750electronic book9781800102750pdf10.7722/KFMP5928doiMiUengpnrdaMiUe-gx---PN1997.2.S3215Hans, Anjeana K.,author.Warning shadows /Anjeana K. Hans.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations (some color)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierGerman film classicsIncludes bibliographical references.Introduction: a little-known movie -- The making of the movie -- Defining film: art form or public danger? -- A film "full of eroticism" -- Projections within projections -- The illusionist: magic, control, and art -- Spectators become actors -- Hypnotism: therapy and spectacle -- "This magical therapy" -- What lies beneath: gender and violence -- The hypntic screen -- The other projection: the Chinese shadow play -- Conclusion: a more complex history."Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film. ANJEANA K. HANS is Associate Professor of German Studies and affiliated faculty in Cinema and Media Studies at Wellesley College"--Provided by publisher.Schatten (Motion picture)Silent filmsGermanyHistory and criticism.Electronic booksCamden House German film classics.https://doi.org/10.7722/KFMP5928No-worldcatMPubCataloging 01622aam a2200421 a 450010.7722/KNVA9958MiU20241218072919.0m o d cr cna||||||||140331t20262014enkag ob 001 0 eng d9781782043560electronic book184383962897818438396209781782043553pdf10.7722/KNVA9958doiMiUengpnrdaMiUML1460Ravens, Simon,author.The supernatural voice :a history of high male singing /Simon Ravens.History of high male singingWoodbridge :Boydell & Brewer,2026.©20141 online resource :illustrations, musictexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 224-235) and index.Singing.http://id.loc.gov/authorities/subjects/sh85122827Vocal registers.http://id.loc.gov/authorities/subjects/sh85144119Countertenors.http://id.loc.gov/authorities/subjects/sh85033447SingingHistory.http://id.loc.gov/authorities/subjects/sh2008111682SingingMethods.http://id.loc.gov/authorities/subjects/sh85122834Vocal musicHistory and criticism.http://id.loc.gov/authorities/subjects/sh85144092Electronic bookshttps://doi.org/10.7722/KNVA9958No-worldcatMPubCataloging 03629cam a2200505 i 450010.7722/LBIO4766MiU20251107030146.0m o d cr cna||||||||151109t20262015enka ob 001 0beng d9781800103887electronic book1782046453(v. 4 ;electronic bk.)9781580465380(v. 4 ;alk. paper)1580465382(v. 4 ;alk. paper)9781580468275pdf10.7722/LBIO4766doiMiUengpnrdaMiUn-us---e------PN2287.A457Lindfors, Bernth,author.Ira Aldridge :the last years, 1855-1867 /Bernth LindforsWoodbridge :Boydell & Brewer,2026.©20151 online resource (xiv, 350 pages) :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierRochester studies in African history and the disporaIra Aldridge The Last Years, 1855-1867, the fourth volume of Bernth Lindfors's definitive biography, places on record Aldridge's remarkable achievements and experiences in the final phase of his life, when he performed at theaters throughout Europe. His first Continental tour in 1852-1855 had been a spectacular success, and though he returned to Britain periodically afterwards, he spent much of the remainder of his career entertaining audiences in central and eastern Europe, mainly in Ukraine and Russia. His Shakespearean performances in St. Petersburg in 1858 and Moscow in 1862 were among his greatest triumphs and led to numerous appearances elsewhere in provincial cities and towns. During his forty-three years on stage in Europe, Ira Aldridge traveled more widely and won more honors, decorations, and awards than any other actor of his day. He is remembered not only as a talented thespian but also as a very visible representative of his race, someone who changed European perceptions of black people through the sheer brilliance of his artistry on stage. And by doing so, he helped to humanize the image of Africans and their descendants in Europe at an important transitional moment in history, when the movement to abolish slavery was gathering force and winning international acceptance. Bernth Lindfors is Professor Emeritus of English and African literatures at the University of Texas at AustinIncludes bibliographical references and indexReadjusting to Britain -- Crim. con. -- On the road again -- Stockholm -- The second continental tour -- Pest and Buda -- A short break -- The third continental tour -- Home again -- The fourth continental tour -- The fifth continental tour -- The sixth continental tour -- Taking a break -- The seventh continental tour -- Another break -- The eighth continental tour -- The ninth continental tour -- Final acts -- PostmortemAldridge, Ira Frederick,1807-1867.ActorsUnited StatesBiography.African American actorsBiography.African AmericansGreat BritainBiography.Shakespearean actors and actressesBiography.African AmericansEuropeBiography.TheaterGreat BritainHistory19th century.Black theaterHistory.Electronic booksRochester studies in African history and the diaspora.https://doi.org/10.7722/LBIO4766No-worldcatMPubCataloging 01642cam a2200385 i 450010.7722/LFZX3430MiU20241217203251.0m o d cr cna||||||||191122t20262020enka bk 001 0 eng d9781782044529electronic book9781783275274(hardback)1783275278(hardback)9781787447967pdf10.7722/LFZX3430doiMiUengpnrdaMiUML856Milsom, David,1974-author.http://id.loc.gov/authorities/names/n2002075271http://id.loc.gov/rwo/agents/n2002075271http://viaf.org/viaf/2712871http://isni.org/isni/000000003232457XRomantic violin performing practices :a handbook /David Milsom.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrationstexttxtrdacontentstill imagestirdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 279-297), discography (pages 299-307) and index.ViolinPerformance.http://id.loc.gov/authorities/subjects/sh85143555Performance practice (Music)History19th century.http://id.loc.gov/authorities/subjects/sh89003987Violin musicInterpretation (Phrasing, dynamics, etc.)http://id.loc.gov/authorities/subjects/sh85143613Electronic bookshttps://doi.org/10.7722/LFZX3430No-worldcatMPubCataloging 02374nam a2200457 a 450010.7722/LIVP7640MiU20241217232506.0m o d cr cna||||||||111118t20262012enka ob 001 0 eng 9781800104099electronic book9781571135223(hardcover : alk. paper)1571135227(hardcover : alk. paper)9781571138255pdf10.7722/LIVP7640doiMiUengpnrdaMiUe-gx---e-ge---PN1993.5.G3O'Brien, Mary-Elizabeth,1959-http://id.loc.gov/authorities/names/n2003049249http://id.loc.gov/rwo/agents/n2003049249http://viaf.org/viaf/28157085http://isni.org/isni/0000000110482726Post-wall German cinema and national history :Utopianism and dissent /Mary-Elizabeth O'Brien.Woodbridge :Boydell & Brewer,2026.©20121 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German literature, linguistics, and cultureIncludes bibliographical references and index.Introduction -- Amnesia, nostalgia, and anamnesis as reactions to the Wende -- In the shadow of the wall: political oppression and resistance in the GDR -- The wild west and east of eden: the Red Army Faction and German terrorism -- History lessons: the enduring appeal of utopianism and the specter of violence -- Epilogue.Motion picturesGermanyHistory20th century.http://id.loc.gov/authorities/subjects/sh2010102562Motion picturesPolitical aspectsGermany.Politics in motion pictures.http://id.loc.gov/authorities/subjects/sh85104474Utopias in motion pictures.http://id.loc.gov/authorities/subjects/sh2005004424Nostalgia in motion pictures.http://id.loc.gov/authorities/subjects/sh2002003787Germany (East)In motion pictures.Electronic booksStudies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/LIVP7640No-worldcatMPubCataloging 02519aam a2200493 i 450010.7722/LJMI4798MiU20241218053441.0m o d cr cna||||||||191218t20262020enkabf f bq 001 0 eng d9781800100091electronic book9781847012371((James Currey cloth ;)acid-free paper)184701237X((James Currey cloth ;)acid-free paper)9781787446588pdf10.7722/LJMI4798doiMiUengpnrdaMiUf-mz---PN1993.5.M85Gray, Ros,author.Cinemas of the Mozambican revolution :anti-colonialism, independence and internationalism in filmmaking, 1968-1991 /Ros Gray.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations (some color), map texttxtrdacontentstill imagestirdacontentcomputercrdamediaonline resourcecrrdacarrierAfrican articulations,2054-5673Includes bibliographical references (pages 265-276), filmography (pages 277-282), and index."As one of the first cultural acts after independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country with little experience of cinema, the INC was tasked to 'deliver to the people an image of the people'. A unique culture of revolutionary cinema emerged, building on films made during the armed struggle"--Provided by publisher.Motion picturesMozambiqueHistory.DecolonizationMozambique.Decolonization in film.Imperialism in motion pictures.http://id.loc.gov/authorities/subjects/sh95009400MozambiqueHistoryRevolution, 1964-1975Motion pictures and the revolution.MozambiqueHistoryIndependence and Civil War, 1975-1994.http://id.loc.gov/authorities/subjects/sh85088193Motion picturesProduction and directionHistory20th centuryMozambique.MozambiqueIn motion pictures.Electronic booksAfrican articulations.2054-5673http://id.loc.gov/authorities/names/no2015067277http://viaf.org/viaf/315997946https://doi.org/10.7722/LJMI4798No-worldcatMPubCataloging 03507cam a2200397 i 450010.7722/LTPV4941MiU20241217195309.0m o d cr cna||||||||220326t20262022enka ob 001 0 eng d9781787449992electronic book9781800106536pdf10.7722/LTPV4941doiMiUengpnrdaMiUe-uk---M955Miller, John,1951-author.http://id.loc.gov/authorities/names/nb2008007921http://id.loc.gov/rwo/agents/nb2008007921http://viaf.org/viaf/2151168453532766300002http://isni.org/isni/0000000372048268The modern brass ensemble in twentieth-century Britain /John Miller.Modern brass ensemble in 20th century BritainWoodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 181-187) and index.Nineteenth-century brass music: the beginnings -- Brass music-making in the early twentieth century -- European brass music after World War II: the establishment of the brass quintet in Britain -- The stimuli of the modern brass ensemble: the record industry, contemporary music, international activity, the player-arranger -- Howarth's Pictures at an Exhibition, and the new reach of British brass playing -- Continuity and change: the succession of British brass ensembles after the Philip Jones Brass Ensemble -- Aspects of historical brass: uncovering phenomena of the past -- Envoi -- Appendix 1. Selective List of Published Music -- Appendix 2. Selective Discography -- Appendix 3. London Brass: major commissions 1986-2001.Whereas the British 'brass band' originated in the nineteenth century and rapidly developed into a nationwide working-class movement, the perceived modern 'brass ensemble' has a less clear foundation and identity. This book is the first to focus exclusively on the performance, practice, repertoire and context of the 'brass ensemble' in the musical world. Following World War II, the brass quintet and other orchestral groupings emerged in the United States and Europe, with musical customs established by professional players playing orchestral instruments. These groups initially played a combination of the music of Gabrieli and his contemporaries as well as newly commissioned works. By the late twentieth century, however, repertory spanned works by Elliott Carter, Maxwell Davies and Lutoslawski, together with music that integrated jazz, commercial elements, and landmark transcriptions. At the book's heart is the story of the London-based, internationally acclaimed, Philip Jones Brass Ensemble. But this is not a story of one ensemble, as the 'brass ensemble' can be defined in several forms. The Modern Brass Ensemble in Twentieth-Century Britain offers a comprehensive account by an author and performer who was involved in many of the key developments of the modern 'brass ensemble'.Brass ensembles.http://id.loc.gov/authorities/subjects/sh85016441Brass ensemblesHistory.Brass instrumentsGreat BritainHistory.Electronic bookshttps://doi.org/10.7722/LTPV4941No-worldcatMPubCataloging 02894cam a2200421 i 450010.7722/MNDZ5738MiU20241218050123.0m o d cr cna||||||||130613t20262013enka ob 001 0 eng d9781787449824electronic book9781580464642(hardcover : alkaline paper)1580464645(hardcover : alkaline paper)9781580468183pdf10.7722/MNDZ5738doiMiUengpnrdaMiUML3830Performing gender, place, and emotion in music :global perspectives /edited by Fiona Magowan and Louise Wrazen.Woodbridge :Boydell & Brewer,2026.©20131 online resource :illustrations ;texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman/Rochester studies in ethnomusicology,2161-0290 ;v. 5Includes bibliographical references and index.Introduction : musical intersections, embodiments, and emplacements /Fiona Magowan and Louise Wrazen --Engendering emotion and the environment in Vietnamese music and ritual /Barley Norton --Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance /Jonathan McIntosh --Performing emotion, embodying country in Australian aboriginal ritual /Fiona Magowan --Christian choral singing in aboriginal Australia : gendered absence, emotion, and place /Muriel Swijghuisen Reigersberg --Transforming the singing body : exploring musical narratives of gender and place in east Bavaria /Sara R. Walmsley-Pledl --A place of her own : gendered singing in Poland's Tatras /Louise Wrazen --Singing the contentions of place : Korean singers of the heart and soul of Japan /Christine R. Yano --"In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs /Tina K. Ramnarine.MusicPerformancePsychological aspects.http://id.loc.gov/authorities/subjects/sh2010102894Gender identity in music.http://id.loc.gov/authorities/subjects/sh98004440Emotions in music.http://id.loc.gov/authorities/subjects/sh2005003066Electronic booksMagowan, Fiona,editor.Wrazen, Louise Josepha,1956-editor.http://id.loc.gov/authorities/names/no2013064821http://id.loc.gov/rwo/agents/no2013064821http://viaf.org/viaf/105165512http://isni.org/isni/0000000074656644Eastman/Rochester studies in ethnomusicology ;v. 5.2161-0290http://id.loc.gov/authorities/names/no2011190206http://viaf.org/viaf/220903610https://doi.org/10.7722/MNDZ5738No-worldcatMPubCataloging 02057cam a2200469 i 450010.7722/MYCP7055MiU20241217200309.0m o d cr cna||||||||180424t20262018enkaf ob 000 0aeng d9781787443792electronic book9781640140172(hardcover ;)(alkaline paper)1640140174(hardcover ;)(alkaline paper)9781787442474pdf10.7722/MYCP7055doiMiUengpnrdaMiUenggere-gx---PN2658.A9Aufricht, Ernst Josef,author.Erzähle, damit du dein Recht erweist.Englishhttp://id.loc.gov/authorities/names/n2018023343http://id.loc.gov/rwo/agents/n2018023343http://viaf.org/viaf/803152502834010800000And the shark, he has teeth :a theater producer's notes /Ernst Josef Aufright ; translated from the German by Benjamin Bloch ; with an introduction by Marc Silberman.Woodbridge :Boydell & Brewer,2026.©20181 online resource :illustrations texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German Literature, Linguistics, and CultureIncludes bibliographical references.Translated from the German.Aufricht, Ernst Josef.Theatrical producers and directorsGermany.TheaterGermany.http://id.loc.gov/authorities/subjects/sh2008112847Electronic booksBloch, Benjamin.Silberman, Marc,1948-author of introduction.http://id.loc.gov/authorities/names/n80087338http://id.loc.gov/rwo/agents/n80087338Studies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/MYCP7055No-worldcatMPubCataloging 03414cam a2200457 i 450010.7722/PNAH2799MiU20241218071806.0m o d cr cna||||||||200306t20262020enk ob 001 0 eng d9781787449879electronic book1640140352(hardcover)9781640140356(hardcover)9781787447974pdf10.7722/PNAH2799doiMiUengpnrdaMiUe-gx---PT747.S34Cornils, Ingo,author.Beyond tomorrow :German science fiction and Utopian thought in the 20th and 21st centuries /Ingo Cornils.Woodbridge :Boydell & Brewer,2026.©20201 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German literature, linguistics, and cultureIncludes bibliographical references (pages 273- 314) and index."Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, filmdirector Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary andcinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future."--From publisher's description.Science fiction, German20th centuryHistory and criticism.Science fiction, German21st centuryHistory and criticism.Science fiction filmsGermany20th centuryHistory and criticism.Science fiction filmsGermany21st centuryHistory and criticism.Utopias in literature.http://id.loc.gov/authorities/subjects/sh85141637Utopias in motion pictures.http://id.loc.gov/authorities/subjects/sh2005004424Electronic booksStudies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/PNAH2799No-worldcatMPubCataloging 02534cam a2200409Mi 450010.7722/SPKI7476MiU20251107030146.0m o d cr cna||||||||260114t20262013enka o 000 0 eng d9781580468329electronic book1580468322(electronic bk.)9781782046455pdf10.7722/SPKI7476doiMiUengpnrdaMiUPN2287.A457 .L384 2013Lindfors, Bernth, author.Ira Aldridge :Performing Shakespeare in Europe, 1852-1855.Woodbridge :Boydell & Brewer,2026.©20131 online resource (666 pages) :illustrations texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierRochester Studies in African History and the DiaspFront Cover; List of Illustrations; Acknowledgments; Abbreviations; Introduction; 1 Making Up a Company; 2 Brussels; 3 Navigating up the Rhine; 4 Moving into the Interior; 5 Berlin; 6 On to Vienna; 7 Hungarian Rhapsodies; 8 Comparisons and Contrasts; 9 Personal and Personnel Matters; 10 Hungarian Rap Sheet; 11 Prussia, Germany, Switzerland; 12 Homeward Bound; 13 Interpreting Shakespeare; 14 Further Travels; Appendixes; A Place Names Old and New; B Itinerary; C Plays Performed; D Performers and Managers; Notes; Selected Bibliography; Index; Copyright; Titles of Related Interest.Ira Aldridge: Performing Shakespeare in Europe, 1852-1855', the third volume of Bernth Lindfors's award-winning biography, traces the American-born black classical actor's itinerary on his first Continental tour. Starting in Brussels and following Aldridge up the Rhine to Basel, on to Berlin and Vienna, and cities in Prussia and Hungary, Lindfors recounts the major performances and analyzes audience responses to them. Because European audiences wanted to see this ""African"" actor in Shakespearean roles rather than in the melodramas and farces that were popular in Britain, Aldridge concen.Aldridge, Ira Frederick,1807-1867.ActorsUnited StatesBiography.African American actorsBiography.Aldridge, Ira Frederick-1867.Electronic booksRochester Studies in African History and the Diasp.https://doi.org/10.7722/SPKI7476No-worldcatMPubCataloging 02511cam a2200445 i 450010.7722/STXE4749MiU20241217202604.0m o d cr cna||||||||210820t20262022enk ob 001 0 eng 9781800104358electronic book1640141170(hardcover ;)(acid-free paper)9781800104020pdf10.7722/STXE4749doiMiUengpnrdaMiUe-gx---PT668Murdoch, Brian,1944-author.http://id.loc.gov/authorities/names/n80134520http://id.loc.gov/rwo/agents/n80134520The fortunes of everyman in twentieth-century German drama :war, death, morality /Brian Murdoch.Fortunes of everyman in 20th century German dramaWoodbridge :Boydell & Brewer,2026.©20221 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German literature, linguistics, and cultureIncludes bibliographical references and index."This study aims to provide new interpretations of three major German plays about war in the twentieth century by looking at them through the lens of the medieval English Everyman play, moving them away from their historical contexts and highlighting their broader philosophical importance. The plays are Ernst Toller's Hinkemann, Wolfgang Borchert's Draussen vor der Tür (The Man Outside); and Max Frisch's Biedermann und die Brandstifter (The Arsonists); Hugo von Hofmannsthal's adaptation of the medieval Everyman play is also touched on "--Provided by publisher.German drama20th centuryHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008105200War in literature.http://id.loc.gov/authorities/subjects/sh85145182Toller, Ernst,1893-1939.Hinkemann.Borchert, Wolfgang,1921-1947.Draussen vor der Tür.http://id.loc.gov/authorities/names/no97083602http://id.loc.gov/rwo/agents/no97083602Frisch, Max,1911-1991.Biedermann und die Brandstifter.Electronic booksStudies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/STXE4749No-worldcatMPubCataloging 02927cam a2200373 i 450010.7722/UFHP1912MiU20241218040150.0m o d cr cna||||||||210804t20262021enka ob 001 0 eng d9781783276073(hardcover)178327607X(hardcover)9781800105812electronic book9781800101388pdf10.7722/UFHP1912doiMiUengpnrdaMiUML3545Church, Michael,author.Musics lost and found :song collectors and the life and death of folk tradition /Michael Church.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 267-274) and index.This is the first-ever book about song collectors, music's unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs. Today's collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world's musical diversity, Michael Church suggests we may be seeing folk music's 'end of history'. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture. This ground-breaking book is the sequel to the author's award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.Folk musicHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008103909Ethnomusicology.http://id.loc.gov/authorities/subjects/sh85045421Electronic bookshttps://doi.org/10.7722/UFHP1912No-worldcatMPubCataloging 01172cam a2200361 i 450010.7722/UTHJ2476MiU20241218022649.0m o d cr cna||||||||220701t20262022enka ob 001 0 eng d9781800104334electronic book9781783276615(hardcover)1783276614(hardcover)9781800104129pdf10.7722/UTHJ2476doiMiUengpnrdaMiUML437Moskovitz, Marc,author.Measure :in pursuit of musical time /Marc D. Moskovitz.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations (black and white) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 293-314) and index.Musical meter and rhythmHistory.MetronomeHistory.Electronic bookshttps://doi.org/10.7722/UTHJ2476No-worldcatMPubCataloging 01532pam a2200385 i 450010.7722/XCMM5856MiU20241217205829.0m o d cr cna||||||||190430t20262019enka ob 000 0 eng d9781787449541electronic book9781640140387((pbk. ;)alk. paper)1640140387((pbk. ;)alk. paper)9781787445703pdf10.7722/XCMM5856doiMiUengpnrdaMiUPN1997.P46885Prager, Brad,1971-author.http://id.loc.gov/authorities/names/nr00018336http://id.loc.gov/rwo/agents/nr00018336Phoenix /Brad Prager.Woodbridge :Boydell & Brewer,2026.©20191 online resource texttxtrdacontentstill imagestirdacontentcomputercrdamediaonline resourcecrrdacarrierCamden House German Film ClassicsIncludes bibliographical references.Phoenix (Motion picture : 2014)http://id.loc.gov/authorities/names/n2019042833http://id.loc.gov/rwo/agents/n2019042833http://viaf.org/viaf/26156495377817561502Electronic booksCamden House German film classics.http://id.loc.gov/authorities/names/no2020032270http://viaf.org/viaf/34158367694501281412https://doi.org/10.7722/XCMM5856No-worldcatMPubCataloging 03456cam a2200445 i 450010.7722/XMOL4302MiU20241218040915.0m o d cr cna||||||||201210t20262021enka ob 001 0 eng d9781800103566electronic book1640140867(hardcover)9781800100411pdf10.7722/XMOL4302doiMiUengpnrdaMiUe-gx---PN2642.W65Jackson, S. E.(Sara E.),author.http://id.loc.gov/authorities/names/n2020069053http://id.loc.gov/rwo/agents/n2020069053http://viaf.org/viaf/23160789819002682536The problem of the actress in modern German theater and thought /S. E. Jackson.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations (black and white) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German literature, linguistics, and cultureIncludes bibliographical references and index.Introduction -- The problem of the actress -- Actressas woman, woman as actress -- Sexy beasts -- Writing actresses -- Dancing in the abyss -- Coda."Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other hand, female performance could support antifeminist convictions and validate masculine authority by positing woman as nothing but a false surface shaped by productive male forces. Influential male-authored texts from the period thereby disavowed female subjectivity per se by equating "woman" and "actress." S. E. Jackson establishes the actress as a key figure in a discursive matrix surrounding modernity, gender, and subjectivity. Her central argument is that because the figure of the actress bridged such varied fields of thought, women who were actresses had a consequential impact that resonated in and far beyond the theater - but has not been explored. Examining archival sources such as theater reviews and writing by actresses in direct relation to canonical aesthetic and philosophical texts, "The Problem of the Actress" reconstructs the constitutive role that women played on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought"--Provided by publisher.Women in the theaterGermanyHistory19th century.Women in the theaterGermanyHistory20th century.ActressesGermany.Theater and societyGermanyHistory19th century.Theater and societyGermanyHistory20th century.Electronic booksStudies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/XMOL4302No-worldcatMPubCataloging 01610pam a2200409 i 450010.7722/ZJEG7007MiU20241218050728.0m o d cr cna||||||||190430t20262019enka eob 000 0 eng d9781787446458electronic book9781640140370((pbk. ;)acid-free paper)1640140379((pbk. ;)acid-free paper)9781787445727pdf10.7722/ZJEG7007doiMiUengpnrdaMiUe-gw---PN1997.2.H565Rogowski, Christian,1956-author.http://id.loc.gov/authorities/names/n92064597http://id.loc.gov/rwo/agents/n92064597Wings of desire /Christian Rogowski.Woodbridge :Boydell & Brewer,2026.©20191 online resource :illustrations (some color) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierCamden House German film classicsIncludes bibliographical references.Wenders, Wim.Himmel über Berlin (Motion picture)http://id.loc.gov/authorities/names/no96043132http://id.loc.gov/rwo/agents/no96043132Motion picturesGermany (West)Electronic booksCamden House German film classics.http://id.loc.gov/authorities/names/no2020032270http://viaf.org/viaf/34158367694501281412https://doi.org/10.7722/ZJEG7007No-worldcatMPubCataloging 02042cam a2200457 i 450010.7722/ZUJG7414MiU20241218003649.0m o d cr cna||||||||210428t20262021enk ob 001 0 eng d9781800102200electronic book9781855663299185566329510.7722/ZUJG7414doiMiUengpnrdaMiUe-uk---cl-----PN1995.9.L37Jones, Nicola,1981-author.http://id.loc.gov/authorities/names/no2008133764http://id.loc.gov/rwo/agents/no2008133764http://viaf.org/viaf/44119732http://isni.org/isni/0000000046564865Imagining Latin America :magical realism, cosmopolitanism and the ¡Viva! Film Festival /Nicola Jones.Woodbridge :Boydell & Brewer,2026.©20211 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 189-213) and index.AHGBI/Spanish Embassy Publication Prize, 2016-17.¡Viva! Film Festival.Immigrants in motion pictures.http://id.loc.gov/authorities/subjects/sh2006007862Magic in motion pictures.http://id.loc.gov/authorities/subjects/sh2003010652Realism in motion pictures.http://id.loc.gov/authorities/subjects/sh85111771Magic realism (Literature)http://id.loc.gov/authorities/subjects/sh85079627Cultural appropriationGreat Britain.Latin AmericansPublic opinion.Latin Americans in motion pictures.http://id.loc.gov/authorities/subjects/sh90004644Latin AmericaIn motion pictures.http://id.loc.gov/authorities/subjects/sh85074918Electronic bookshttps://doi.org/10.7722/ZUJG7414No-worldcatMPubCataloging