01282pam a2200373 i 450010.7722/BDGC9859MiU20241217231207.0m o d cr cna||||||||201016t20262021enka ob 001 0 eng d9781800103351electronic book9781783275717(hbk.)17832757159781800101340pdf10.7722/BDGC9859doiMiUengpnrdaMiUML410.B13Heber, Noelle M.,author.J. S. Bach's material and spiritual treasures :a theological perspective /Noelle M. Heber.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations (black and white)texttxtrdacontentstill imagestirdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 241-254) and index.Bach, Johann Sebastian,1685-1750Themes, motives.Bach, Johann Sebastian,1685-1750Religion.Electronic bookshttps://doi.org/10.7722/BDGC9859No-worldcatMPubCataloging 01877pam a2200457 i 450010.7722/BEMS5552MiU20241217203733.0m o d cr cna||||||||200831t20262020enkab ob 001 0 eng d9781782049289electronic book9781580469678(hbk.)1580469671(hbk.)9781787446571pdf10.7722/BEMS5552doiMiUengpnrdaMiUengfreML423.B52Boulanger, Nadia,author.Works.Selections.EnglishNadia Boulanger :thoughts on music /edited and translated by Jeanice Brooks and Kimberly Francis.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations (black and white), music texttxtrdacontentstill imagestirdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;v. 166Includes bibliographical references (pages 441-454) and index.Translated from the French.Boulanger, NadiaTranslations into English.MusicHistory and criticism.http://id.loc.gov/authorities/subjects/sh85088794Electronic booksBrooks, Jeanice,editor.Francis, Kimberly A.,1979-editor.http://id.loc.gov/authorities/names/n2014071833http://id.loc.gov/rwo/agents/n2014071833http://viaf.org/viaf/311768265http://isni.org/isni/0000000443585109Eastman studies in music ;v. 166.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/BEMS5552No-worldcatMPubCataloging 02332nam a2200421 i 450010.7722/BMBB2502MiU20201013162121.0m|||||o||d||||||||cr cna||||||||200824t20262020enk o 001 0 eng d9781782048923electronic book9781787448315pdf10.7722/BMBB2502doiMiUengpnrdaMiUn-us-nyML3528.8Rubin, Joel E.,author.New York klezmer in the early twentieth century :tthe music of Naftule Brandwein and Dave Tarras /Joel E. Rubin.Woodbridge :Boydell & Brewer,2026.©20201 online resource (xi, 466 pages) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman/Rochester studies in ethnomusicologyMachine generated contents note:1.A Wedding in Town Was Like a Holiday: A Short History of Klezmorim in Europe --2.Klezmer in New York: Changing Meanings, Changing Contexts --3.A Kind of "Ethnomusicological Archive": Commercial 78-rpm Recordings of Klezmer Music --4.A Single Field Irrespective of Origin: Polymusicality and Language, Aesthetics, Classification, and Transcription --5."What Mattered Was What's Happening with the Tune": Modality and Compositional Processes --6."The Little Things That They Do": Ornaments and Performance Practice Techniques --7."The Newest Bulgar Out That Everyone Played": New York Klezmer after 1929.Title from publisher's bibliographic system (viewed on 21 Sep 2020).The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.Klezmer musicNew York20th centuryHistory and criticism.Jewish musiciansNew York20th centuryHistory and criticism.Brandwein, Naftule,1889-1963.Tarras, Dave,1897-1989.Electronic booksEastman/Rochester studies in ethnomusicology.https://doi.org/10.7722/BMBB2502No-worldcatMPubCataloging 02899cam a2200433 i 450010.7722/BXBH2451MiU20241217211434.0m o d cr cna||||||||211225t20262022enkag ob 001 0 eng d9781800100183electronic book1783277157(hardcover)9781800105942pdf10.7722/BXBH2451doiMiUengpnrdaMiUe-uk---ML1731.3McGeary, Thomas,1948-author.http://id.loc.gov/authorities/names/n88158803http://id.loc.gov/rwo/agents/n88158803Opera and politics in Queen Anne's Britain, 1705-1714 /Thomas McGeary.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations, musictexttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierMusic in Britain, 1600-2000,2053-3217Includes bibliographical references (pages 355-407) and index."The reign of Queen Anne (1702-1714) was pivotal for both politics and opera in Britain. In this study, Thomas McGeary brings together a wide range of sources to show how the worlds of politics and opera were entwined. The associations that Italian singing and singers acquired by the 1690s were used in partisan Whig-Tory writings. Rather than a foreign invasion, McGeary shows how the introduction of Italian-style opera was a native product that grew out of plans for a new theatre in the Haymarket. A crucial event for opera was Handel's arrival in London in 1710. While the criticism of opera by Whig writers such as Richard Steele and Joseph Addison is well known, McGeary uncovers how the early promotion and sponsorship of opera was, in fact, largely a Whig enterprise and cultural program. Indeed, major political figures (mostly Whigs) participated in the support and patronage of opera. 'Opera and Politics in Queen Anne's Britain' will be required reading for opera scholars and cultural and political historians of eighteenth-century Britain, as well those interested in the vibrant literature culture of the period."--Back coverOperaGreat Britain18th century.OperaPolitical aspectsGreat Britain.Great BritainHistoryAnne, 1702-1714.http://id.loc.gov/authorities/subjects/sh85056810Great BritainPolitics and government1702-1714.http://id.loc.gov/authorities/subjects/sh85056901Electronic booksMusic in Britain, 1600-2000.2053-3217http://id.loc.gov/authorities/names/no2014026231http://viaf.org/viaf/306393208https://doi.org/10.7722/BXBH2451No-worldcatMPubCataloging 01142aam a2200349 i 450010.7722/CIUJ9082MiU20241218010859.0m o d cr cna||||||||201107t20262021enkafg ob 001 0 eng d9781800106543electronic book978178327577917832757749781787447998pdf10.7722/CIUJ9082doiMiUengpnrdaMiUML410.D35Dibble, Jeremy,author.The music of Frederick Delius :style, form and ethos /Jeremy Dibble.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations, musictexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 483-492) and indexes.Delius, Frederick,1862-1934Criticism and interpretation.Electronic bookshttps://doi.org/10.7722/CIUJ9082No-worldcatMPubCataloging 03399nam a2200421 i 450010.7722/DBOQ3646MiU20220609122510.0m|||||o||d||||||||cr cna||||||||220609t20262021nyu o 001 0 eng d9781800103306electronic book9781800103290pdf10.7722/DBOQ3646doiMiUengpnrdaMiUe-fr---ML270Weber, William,1940-author.Canonic repertories and the French musical press :Lully to Wagner /William Weber, with Beverly Wilcox.Woodbridge :Boydell & Brewer,2026.©20211 online resource (x, 317 pages) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;177The Domestic versus the Foreign in Eighteenth-century Paris and London -- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox -- To Praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : How did a Canon Arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914."This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries"--Provided by publisher.Musical canonFranceHistory.Musical criticismFranceHistory.MusicFranceHistory and criticism.OperaFrance.Electronic booksWilcox, Beverly,author.Eastman studies in music ;177.https://doi.org/10.7722/DBOQ3646No-worldcatMPubCataloging 01959pam a2200421 i 450010.7722/DGIW1851MiU20241218021644.0m o d cr cna||||||||200330t20262020enkg ob 001 0 eng d9781787449862electronic book1580469949(hardback)9781787449176pdf10.7722/DGIW1851doiMiUengpnrdaMiUMT92.J26Skoumal, Zdenek,author.The music of Leoš Janáček :motive, rhythm, structure /Zdeněk Skoumal.Woodbridge :Boydell & Brewer,2026.©20201 online resource :musictexttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;v. 170Includes bibliographical references (pages 271-279) and indexes.Janáček's motives -- Musical elements -- Nineteenth-century foundation -- Folk studies -- Jenůfa -- Middle-period works -- The cunning little vixen -- The wandering madman -- First String Quartet : first movement -- Three rhythmic studies."The first thorough theoretical study of Janáček's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest"--Provided by publisher.Janáček, Leoš,1854-1928Criticism and interpretation.Music20th centuryAnalysis, appreciation.Music19th centuryAnalysis, appreciation.Electronic booksEastman studies in music ;v. 170.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/DGIW1851No-worldcatMPubCataloging 03242cam a2200409 i 450010.7722/EDVP7335MiU20241218023427.0m o d cr cna||||||||161014t20262017nyua ob 001 0 eng d9781800100077electronic book9781571139733(hardcover)(alkaline paper)1571139737(hardcover)(alkaline paper)9781782049173pdf10.7722/EDVP7335doiMiUengpnrdaMiUML 3849Ziolkowski, Theodore,author.Music into fiction :composers writing, compositions imitated /Theodore Ziolkowski.Woodbridge :Boydell & Brewer,2026.©20171 online resource texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierStudies in German Literature, Linguistics, and Culture"This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers."--Provided by publisher.Includes bibliographical references and index.Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion.Music and literature.http://id.loc.gov/authorities/subjects/sh85088886Musicians as authors.http://id.loc.gov/authorities/subjects/sh85089043Electronic booksStudies in German literature, linguistics, and culture.http://id.loc.gov/authorities/names/n42023855https://doi.org/10.7722/EDVP7335No-worldcatMPubCataloging 01559cam a2200397 i 450010.7722/GQQY5878MiU20241218001442.0m o d cr cna||||||||180529t20262018nyuab ob 001 0beng d9781800100145electronic book9781580469326((hardcover ;)alkaline paper)1580469329((hardcover ;)alkaline paper)9781787443525pdf10.7722/GQQY5878doiMiUengpnrdaMiUe-ru---ML417.N34Razumovskaya, Maria,author.Heinrich Neuhaus :a life beyond music /Maria Razumovskaya.Woodbridge :Boydell & Brewer,2026.©20181 online resource :illustrations, maps texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989Includes bibliographical references (pages 231-246) and index.Neĭgauz, Genrikh Gustavovich,1888-1964.http://id.loc.gov/authorities/names/n82066776http://id.loc.gov/rwo/agents/n82066776PianistsRussia (Federation)Biography.http://id.loc.gov/authorities/subjects/sh2010106380Electronic booksEastman studies in music.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/GQQY5878No-worldcatMPubCataloging 02924cam a2200469 i 450010.7722/HPVP3780MiU20241218021005.0m o d cr cna||||||||200213t20262020enkag ob 001 0 eng d9781800103276electronic book9781580469951(hardcover)1580469957(hardcover)9781787449169pdf10.7722/HPVP3780doiMiUengpnrdaMiUenglatlatML167Nowacki, Edward,author.Greek and Latin music theory :principles and challenges /Edward Nowacki.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations, musictexttxtrdacontentstill imagestirdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;v. 171Includes bibliographical references (pages 213-217) and index.Part I. The Ancient Greek Tradition in Practice and Theory. The Ancient Harmoniai ; The Tonoi ; Alypian Notation -- Part II. Mathematical Foundations. Pythagorean Harmonic Ratios from the Octave to the Comma by Continuous Subtraction ; Boethius's Error in the De institutione musica 4.6 ; Aristoxenus's Proof That the Perfect Fourth Is the Sum of Two Tones and a Semitone ; Aristoxenus's Anticipation of the Logarithmic Logic of Musical Cognition ; The Three Mathematical Means in the Theories of Euclid, Boethius, Glarean, and Zarlino ; Guido and the Monochord -- Part III. Emerging Theories of the Ecclesiastical Modes. Transposition and the Doctrine of Modal Affinity ; The Misunderstood Confinalis ; Reading the First Quidam of the Alia musica ; The Prologus in tonarium of Bern of Reichenau : A Translation ; Reading Hermannus ; Idealist and Empirical Perspectives in Theories of the Ecclesiastical Modes."A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages"--Provided by publisher.Text in English, with some passages in Latin with English translation.Music theoryHistory500-1400.http://id.loc.gov/authorities/subjects/sh85088828Music theoryHistoryTo 500.http://id.loc.gov/authorities/subjects/sh85088827Music, Greek and RomanHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008108107Electronic booksEastman studies in music ;v. 171.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/HPVP3780No-worldcatMPubCataloging 03080nam a2200385 i 450010.7722/HZDF6262MiU20210409083942.0m|||||o||d||||||||cr cna||||||||210223t20262021nyu o 001 0 eng d9781800100206electronic book9781787449282pdfdoi10.7722/HZDF6262MiUengpnrdaMiUML410.B566Redfern, Sophie,author.Bernstein and Robbins :the early ballets /Sophie Redfern.Woodbridge :Boydell & Brewer,2026.©20211 online resource (xxix, 293 pages) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in musicSetting the scene : American ballet and Jerome Robbins --Toward a first ballet : Fancy Free takes shape --Creating Fancy Free : a long-distance collaboration --The music of Fancy Free : the sketches and score explored --The Fancy Free premiere and a move to Broadway --Toward a second ballet : Bye Bye Jackie and the creation of Facsimile --The music of Facsimile : the sketches and score explored --The Facsimile premiere and legacy of the ballets --Epilogue:Bernstein and dance.Title from publisher's bibliographic system (viewed on 26 Mar 2021).The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith - all only twenty-five years old - captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.Bernstein, Leonard,1918-1990Criticism and interpretation.Robbins, JeromeCriticism and interpretation.Electronic booksEastman studies in music.https://doi.org/10.7722/HZDF6262No-worldcatMPubCataloging 03833cam a2200457 i 450010.7722/IAJI6147MiU20241218024020.0m o d cr cna||||||||220624t20262022enka ob 001 0 eng d9781800108660electronic book9781783277551(hardcover)1783277556(hardcover)9781800108653pdf10.7722/IAJI6147doiMiUengpnrdaMiUe-ie---ML82Women and music in Ireland /edited by Jennifer O'Connor-Madsen, Laura Watson and Ita Beausang.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations (black and white)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIrish musical studies ;13Includes bibliographical references (pages 221-240) and index.Preface /Lorraine Byrne Bodley and Harry WhiteIntroduction /Laura Watson, Jennifer O'Connor-Madsen, and Ita Beausang --Part I: Establishing a Place for Women Musicians in Irish Society of the Eighteenth and Nineteenth Centuries --1. Daughters of Hibernia: Seen and Not Heard? /Ita Beausang --2. 'No Accomplishment So Great for a Lady': Women and Music in Eighteenth- and Nineteenth-Century Elite Irish Household /Karol Mullaney-Dignam --3. The Development of the Female Musician in Nineteenth Century Dublin /Jennifer O'Connor-Madsen --4. Family, Filial Ties, and Forging Careers as Female Musicians in the Nineteenth Century: The Story of the Glover Sisters /Mary Louise O'DonnellPart II: Women and Practice in Irish Traditional Music --5. The Daghda, the Minstrel Boy, and Convent Schools: Reflections on Gender and the Harp in Ireland /Helen Lawlor --6. 'No Longer Second Fiddle': Due Recognition for Josephine Keegan /Daith̕ Kearney --7. Ireland's Female Harping Triumvirate: The Legacy of Sheila Larchet Cuthbert, Mercedes Garvey, and Gr̀inne Yeats /Teresa O'DonnellPart III: Gaps and Gender Politics in the History of Twentieth-Century Women Composers and Performers8. 'A Daughter of Music': Alicia Aďla̐de Needham's Anglo-Irish Life and Music /Axel Klein --9. Mary Dickenson-Auner: A Life with the Violin /Margarethe Engelhardt-Krajanek --10. 'Opera Over a Cooking Stove': Gender Dynamics in the Music Career of Joan Trimble /Ruth Stanley --11. Rhoda Coghill and the Gender Politics of Piano Performance /Laura Watson --Part IV: Situating Discourses of Women, Gender, and Music in the Twenty-First Century --12. Women and Composition: Fifty Years of Progress? /Nicola LeFanu --13. Transcending Conventional Habits: Music and the Collaborative Process in Joint Works /Rhona Clarke --14. Surveying the Scene: Current Thoughts on Women and Electroacoustic Music in Ireland /Barbara Jillian Dignam --15. We Buried the Heteropatriarchy and Danced on its Grave: Towards a Liberation Movement for Irish Traditional Music /Tes SlominskiWomen musiciansIreland.MusiciansIreland.MusicIreland.WomenIreland.Electronic booksWatson, Laura(Musicologist),editor.http://id.loc.gov/authorities/names/n2019002137http://id.loc.gov/rwo/agents/n2019002137http://viaf.org/viaf/156152138558710980102http://isni.org/isni/0000000495766374Beausang, Ita,editor.O`Connor-Madsen, Jennifer,editor.Irish musical studies ;13.http://id.loc.gov/authorities/names/n91014139https://doi.org/10.7722/IAJI6147No-worldcatMPubCataloging 01799cam a2200445 i 450010.7722/IURQ7673MiU20241218030556.0m o d cr cna||||||||210413t20262021enkabf ob 001 0 eng d9781800100688electronic book978178327580917832758049781800100596pdf10.7722/IURQ7673doiMiUengpnrdaMiUengfree-it---e-fr---ML410.B62Bizet, Georges,1838-1875,author.http://id.loc.gov/authorities/names/n79116212http://id.loc.gov/rwo/agents/n79116212Correspondence.Selections.EnglishBizet in Italy :letters and journals, 1857-1860 /Hugh Macdonald.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations (some color), maps texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 225-226) and indexes.Translated from the French.Bizet, Georges,1838-1875Correspondence.Bizet, Georges,1838-1875TravelItaly.ComposersFranceCorrespondence.http://id.loc.gov/authorities/subjects/sh2008101439ItalyDescription and travel.http://id.loc.gov/authorities/subjects/sh85068907Electronic booksMacdonald, Hugh,1940-editor,translator.http://id.loc.gov/authorities/names/n81104940http://id.loc.gov/rwo/agents/n81104940https://doi.org/10.7722/IURQ7673No-worldcatMPubCataloging 02858cam a2200433 i 450010.7722/JKOF5199MiU20241217235134.0m o d cr cna||||||||160613t20262016enka ob 001 0 eng d9781800101395electronic book978178327142917832714269781782048572pdf10.7722/JKOF5199doiMiUengpnrdaMiUML3545Riley, Matthew,1975-author.http://id.loc.gov/authorities/names/n2003084767http://id.loc.gov/rwo/agents/n2003084767http://viaf.org/viaf/69229645http://isni.org/isni/0000000088198293Nation and classical music :from Handel to Copland /Matthew Riley and Anthony D. Smith.Woodbridge :Boydell & Brewer,2026.©20161 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierMusic in Society and Culture,2047-2773Includes bibliographical references (pages 221-240) and index."This book develops a comparative analysis of the relationship between Western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music."Dust Jacket.Nationalism in music.http://id.loc.gov/authorities/subjects/sh85090161National musicHistory and criticism.http://id.loc.gov/authorities/subjects/sh85090043MusicSocial aspects.http://id.loc.gov/authorities/subjects/sh85088891MusicPolitical aspects.Electronic booksSmith, Anthony D.,author.Music in society and culture.2047-2773http://id.loc.gov/authorities/names/no2013053128http://viaf.org/viaf/302477040https://doi.org/10.7722/JKOF5199No-worldcatMPubCataloging 03400cam a22004338i 450010.7722/JYAL5413MiU20241217230136.0m o d cr cna||||||||121203t20262013enka ob 001 0 eng d9781787444096electronic book9781580464321(hardcover : alkaline paper)1580464327(hardcover : alkaline paper)9781580467957pdf10.7722/JYAL5413doiMiUengpnrdaMiUML423.H25Rethinking Hanslick :music, formalism, and expression /edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx.Woodbridge :Boydell & Brewer,2026.©20131 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music ;v. 97Includes bibliographical references (pages [339]-343) and index.Negotiating the "absolute" : Hanslick's path through musical history /James Deaville --Hanslick's composers /Fred Everett Maus --Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music /Anthony Pryer --Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk /Felix Wörner --Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna /Dana Gooley --Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception /Chantal Frankenbach --"Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark /David Brodbeck --German humanism, liberalism, and elegy in Hanslick's writings on Brahms /Nicole Grimes --The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity /Lauren Freede --"Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century /Marion Gerards --Body and soul, content and form : on Hanslick's use of the organism metaphor /Nina Noeske --Hanslick and Hugo Wolf /Timothy R. McKinney --Battle rejoined : Hanslick and the symphonic poem in the 1890s /David Larkin --On "Jewishness" and genre : Hanslick's reception of Gustav Mahler /David Kasunic.Hanslick, Eduard,1825-1904.http://id.loc.gov/authorities/names/n50017763http://id.loc.gov/rwo/agents/n50017763Music19th centuryPhilosophy and aesthetics.http://id.loc.gov/authorities/subjects/sh2010102764Musical criticismHistory19th century.Electronic booksGrimes, Nicole,editor.Donovan, Siobhán,1966-editor.http://id.loc.gov/authorities/names/n2004033849http://id.loc.gov/rwo/agents/n2004033849http://viaf.org/viaf/119008106http://isni.org/isni/0000000114806417Marx, Wolfgang,1967-editor.http://id.loc.gov/authorities/names/nr97040615http://id.loc.gov/rwo/agents/nr97040615Eastman studies in music ;v. 97.http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/JYAL5413No-worldcatMPubCataloging 01513cam a2200409 i 450010.7722/KXUP7623MiU20241218034954.0m o d cr cna||||||||210723t20262022enkg b 001 0 eng d9781787447127electronic book178327669X9781800104341pdf10.7722/KXUP7623doiMiUengpnrdaMiUe-fr---ML270.5Epstein, Louis K.,author.The creative labor of music patronage in interwar France /Louis K. Epstein.Woodbridge :Boydell & Brewer,2026.©20221 online resource :music texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierMusic in society and culture,2047-2773Includes bibliographical references (pages 201-221) and index.Music patronageFranceHistory20th century.Music patronageFrance20th century.Music patronsFrance20th century.MusicFranceHistory and criticism.http://id.loc.gov/authorities/subjects/sh2010102843Electronic booksMusic in society and culture.http://id.loc.gov/authorities/names/no2013053128http://viaf.org/viaf/302477040https://doi.org/10.7722/KXUP7623No-worldcatMPubCataloging 01320pam a2200373 i 450010.7722/LVRQ9913MiU20241218053544.0m o d cr cna||||||||200909t20262020enka ob 001 0beng d9781800100213electronic book9781783275519(hbk.)17832755109781787448292pdf10.7722/LVRQ9913doiMiUengpnrdaMiUe-gx---ML410.B4Lockwood, Lewis,author.Beethoven's lives :the biographical tradition /Lewis Lockwood.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 183-197) and index.Beethoven, Ludwig van,1770-1827.http://id.loc.gov/authorities/names/n79107741http://id.loc.gov/rwo/agents/n79107741ComposersGermanyBiography.http://id.loc.gov/authorities/subjects/sh2008101440Electronic bookshttps://doi.org/10.7722/LVRQ9913No-worldcatMPubCataloging 03664cam a2200517 i 450010.7722/LZMO8963MiU20241218052906.0m o d cr cna||||||||191025t20262020nyuag ob 001 0deng d9781800106024electronic book9781580469739(hardcover)1580469736(hardcover)9781787446625pdf10.7722/LZMO8963doiMiUengpnrdaMiUn-us---n-us-dcML410.B566Leonard Bernstein and Washington, DC :works, politics, performances /edited by Daniel Abraham, Alicia Kopfstein-Penk, and Andrew H. Weaver.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations, musictexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989Includes bibliographical references and index.Introduction /Alicia Kopfstein-Penk and Andrew H. Weaver --Part I. Bernstein, politics, and the White House.Bernstein and Washington, DC : Iintroductory reflections /Carol J. Oja --Bernstein and the White House /Alicia Kopfstein-Penk --Bernstein and McCarthyism /Barry Seldes --The New York Philharmonic European Tour of 1959 and Bernstein as Eisenhower's American cultural ambassador /Sarah Elaine Neill --Part II. Bernstein's Works in the Nation's Capital.West Side stories : Washington, DC /Elizabeth A. Wells --Bernstein's politics of style : listening for "radical chic" in Mass /Katherine Baber --"Screaming gets you nowhere" : Bernstein's Mass and the politics of peace /Robert C. Lagueux --1600 Pennsylvania Avenue : Bernstein and Alan Jay Lerner's musical history of the White House /Elissa Harbert --Songfest : Bernstein's monument to American diversity /Paul R. Laird --Political expression and American identity in Bernstein's 1600 Pennsylvania Avenue, Songfest, and Slava! A political overture /Lars Helgert --A quiet place in a not-so-quiet nation : gender, sexuality, and family in Bernstein's "American Opera" /Mari Yoshihara."Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism"--Provided by publisher.Bernstein, Leonard,1918-1990Criticism and interpretation.Bernstein, Leonard,1918-1990Political activity.United StatesPolitics and government1945-1989.http://id.loc.gov/authorities/subjects/sh85140467Music and diplomacyUnited StatesHistory20th century.MusicPolitical aspectsUnited States.MusicSocial aspectsUnited StatesHistory20th century.MusicUnited States20th centuryHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008108103Washington (D.C.)Songs and music.Electronic booksAbraham, Daniel,1968-editor.http://id.loc.gov/authorities/names/no2008009623http://id.loc.gov/rwo/agents/no2008009623http://viaf.org/viaf/44096647http://isni.org/isni/0000000046545795Kopfstein-Penk, Alicia,editor.Weaver, Andrew H.,editor.Eastman studies in music.http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/LZMO8963No-worldcatMPubCataloging 02394cam a2200373 i 450010.7722/MAST1012MiU20241217204141.0m o d cr cna||||||||211017t20262022enka ob 001 0 eng d9781800100176electronic book978178327689917832768949781800105065pdf10.7722/MAST1012doiMiUengpnrdaMiUML3800The heroic in music /edited by Beate Kutschke and Katherine Butler.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations (black and white), music texttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical referencs (pages 245-276) and index.The first part of this volume reconstructs the various musical strategies that composers of medieval chant, Renaissance madrigals, and Baroque operas, cantatas or oratorios employed when referring to heroic ideas exemplifying their personal moral and political values. A second part investigating the eighteenth and nineteenth centuries expands the previous narrow focus on Beethoven's heroic middle period and the cult of the virtuoso. It demonstrates the wide spectrum of heroic positions - national, ethnic, revolutionary, bourgeois and spiritual - that filtered not only into 'classical' large-scale heroic symphonies and virtuoso solo concerts, but also into chamber music and vernacular dance music. 0The third part documents the forced heroization of music in twentieth-century totalitarian regimes such as Nazi-Germany and the Soviet Union and its consequences for heroic thinking and musical styles in the time thereafter. Final chapters show how recent rock-folk and avant-garde musicians in North America and Europe feature new heroic models such as the everyday hero and the scientific heroine revealing new confidence in the idea of the heroic.MusicHistory and criticism.http://id.loc.gov/authorities/subjects/sh85088794MusicPolitical aspects.Electronic bookshttps://doi.org/10.7722/MAST1012No-worldcatMPubCataloging 01879pam a2200421 i 450010.7722/PDWP5662MiU20241218014326.0m o d cr cna||||||||200213t20262020enkag ob 001 0deng d9781782041450electronic book1580469396(hardback)9781787448667pdf10.7722/PDWP5662doiMiUengpnrdaMiUML410.L7Liszt and virtuosity /edited by Robert Doran.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations, musictexttxtrdacontentstill imagestirdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;v. 168Includes bibliographical references and index."A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries"--Provided by publisher.Liszt, Franz,1811-1886Criticism and interpretation.Virtuosity in musical performance.http://id.loc.gov/authorities/subjects/sh85143814PianoPerformanceHistory19th century.Electronic booksDoran, Robert,1968-editor.http://id.loc.gov/authorities/names/n2007067073http://id.loc.gov/rwo/agents/n2007067073http://viaf.org/viaf/41296629http://isni.org/isni/000000012129507XEastman studies in music ;v. 168.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/PDWP5662No-worldcatMPubCataloging 02800cam a2200385 i 450010.7722/RATL2524MiU20241218055442.0m o d cr cna||||||||211211t20262022enka ob 001 0 eng d9781800103252electronic book17832770849781800105805pdf10.7722/RATL2524doiMiUengpnrdaMiUML3830Music and time :psychology, philosophy, practice /edited by Michelle Phillips and Matthew Sergeant.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrations (black and white)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 181-195) and index.For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.MusicPsychological aspects.http://id.loc.gov/authorities/subjects/sh85088812MusicPhilosophy and aesthetics.http://id.loc.gov/authorities/subjects/sh85088808Time.http://id.loc.gov/authorities/subjects/sh85135395Electronic booksPhillips, Michelle,editor.Sergeant, Matthew,editor.https://doi.org/10.7722/RATL2524No-worldcatMPubCataloging 02354cam a2200421 i 450010.7722/SKBR8722MiU20241218050030.0m o d cr cna||||||||190621t20262019enkg ob 001 0 eng d9781787447233electronic book9781580469623(hardcover)15804696209781571138231(pdf)9781787447226pdf10.7722/SKBR8722doiMiUengpnrdaMiUML410.B13Marshall, Robert Lewis,author.Bach and Mozart :essays on the enigma of genius /Robert L. Marshall.Woodbridge :Boydell & Brewer,2026.©20191 online resource :music texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;[vol. 161]Includes bibliographical references (pages 299-313) and index."The essays in this volume serve a single objective: to promote a deeper understanding of two of the greatest composers in history, as both supremely gifted creators and fellow human beings. The many fascinating topics include, among others, Bach's relationship to his sons, Martin Luther's importance in Bach's music and in his life, Bach's attitude toward the Jews, Mozart's wit, his portrayal in Amadeus, his evolving responses to Bach's influence, and the lessons of his unfinished works. Diverse interpretive approaches range from text criticism to style criticism and draw on Freudian and Schenkerian analysis, along with the ideas of Harold Bloom, Theodor Adorno, Edward Said, Maynard Solomon, Charles Rosen, and other challenging thinkers"--Provided by publisher.Bach, Johann Sebastian,1685-1750Criticism and interpretation.Mozart, Wolfgang Amadeus,1756-1791Criticism and interpretation.Music18th centuryHistory and criticism.http://id.loc.gov/authorities/subjects/sh89002975Electronic booksEastman studies in music ;[vol. 161]1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/SKBR8722No-worldcatMPubCataloging 02713cam a2200433 i 450010.7722/SYHK5994MiU20241218003212.0m o d cr cna||||||||190604t20262019enkag ob 001 0 eng d9781787446496electronic book9781580469647(hardcover)1580469647(hardcover)9781787445635pdf10.7722/SYHK5994doiMiUengpnrdaMiUn-us---ML410.C756Mugmon, Matthew,author.Aaron Copland and the American legacy of Gustav Mahler /Matthew Mugmon.Woodbridge :Boydell & Brewer,2026.©20191 online resource :illustrations, musictexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in musicIncludes bibliographical references and index.Mahler and Copland in New York -- Mahler in Nadia Boulanger's Studio and Beyond -- Copland in Defense of Mahler -- Mahler in Copland's Jewish Romanticism -- Mahler's Idiom in Copland's "American Sound" -- Copland, Koussevitzky, Mahler, and the Canon -- Copland's Role in Bernstein's Mahler Advocacy."Although Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, he was strongly attracted to the music of Gustav Mahler. Drawing extensively on archival and musical materials, this is the first detailed exploration of Copland's multifaceted relationship with Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein"--Provided by publisher.Copland, Aaron,1900-1990Criticism and interpretation.Mahler, Gustav,1860-1911Influence.MusicUnited States20th centuryHistory and criticism.http://id.loc.gov/authorities/subjects/sh2008108103Electronic booksEastman studies in music.http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/SYHK5994No-worldcatMPubCataloging 02371nam a2200445 i 450010.7722/TOZE2268MiU20190911092938.0m|||||o||d||||||||cr cna||||||||190704t20262019nyu o 001 0 eng d9781800106307electronic book9781787444508pdf10.7722/TOZE2268doiMiUengpnrdaMiUn-us-man-us---ML422.M83Burrage, Melissa D.,1962-author.The Karl Muck scandal :classical music and xenophobia in World War I America /Melissa D. Burrage.Woodbridge :Boydell & Brewer,2026.©20191 online resource (445 pages) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music ;v. 157Includes bibliographical references and index.Title from publisher's bibliographic system (viewed on 09 Sep 2019).Here on foreign shores: Dr. Karl Muck's acclaim in Boston (1906-1918) -- Mobilization: a changing environment for Boston -- Selling the war: demonizing the enemy -- "Looking for the trump card": Mrs. William Jay's attacks on Karl Muck in wartime America (1915-1918) -- "A leaf in the storm": Muck, Higginson, and the Boston Symphony Orchestra (1918-1919) -- Muck's arrest: "finding 'one weak spot'" (1918-1919) -- "Only too proud to shoulder it all": the sexual climate of wartime Boston and Muck's fall from grace (1918-1919) -- Muck's final years: his association with the Wagners and Adolph Hitler (1920-1940).The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States.GermansMassachusettsBostonHistory20th century.Conductors (Music)Biography.XenophobiaUnited StatesHistory20th century.World War, 1914-1918MassachusettsBoston.Muck, Karl.Electronic booksEastman studies in music ;v. 157.https://doi.org/10.7722/TOZE2268No-worldcatMPubCataloging 02332cam a2200445 i 450010.7722/TYTB2769MiU20241218080220.0m o d cr cna||||||||200109t20262020enkg ob 001 0 eng d9781800103016electronic book9781580469654(hardcover)1580469655(hardcover)9781787448841pdf10.7722/TYTB2769doiMiUengpnrdaMiUML410.S3Messing, Scott,author.Self-quotation in Schubert :"Ave Maria," the Second Trio, and other works /Scott Messing.Woodbridge :Boydell & Brewer,2026.©20201 online resource :musictexttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989Includes bibliographical references (pages 267-302) and index.Commencements and contexts -- On the reception of Schubert's self-quotations -- Two scores and Their musical relationships -- Parents and children : On the background to "Ave Maria" -- From "Ave Maria" to Trio -- "Dedicated to nobody, save those who find pleasure in it" -- Contexts and conclusions."Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work"--Provided by publisher.Schubert, Franz,1797-1828Criticism and interpretation.Schubert, Franz,1797-1828.Ellens Gesang,D. 839.http://id.loc.gov/authorities/names/n84046733http://id.loc.gov/rwo/agents/n84046733Schubert, Franz,1797-1828.Trios,piano, violin, cello,D. 929,E♭ major.http://id.loc.gov/authorities/names/n81104122http://id.loc.gov/rwo/agents/n81104122Quotation in music.http://id.loc.gov/authorities/subjects/sh99000149Electronic booksEastman studies in music.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/TYTB2769No-worldcatMPubCataloging 02220cam a2200433 i 450010.7722/UKYS7491MiU20241217222452.0m o d cr cna||||||||200127t20262020enkg ob 001 0 eng d9781800100138electronic book9781580469913(hardcover)1580469914(hardcover)9781787449121pdf10.7722/UKYS7491doiMiUengpnrdaMiUn-us---ML410.C756Musegades, Paula,author.Aaron Copland's Hollywood film scores /Paula Musegades.Woodbridge :Boydell & Brewer,2026.©20201 online resource :musictexttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;vol. 169Includes bibliographical references (pages 183-192) and index.Setting the Standard: Hollywood's Studio System -- Breaking with Tradition: Copland's Theories on Film Music -- Scoring Morality: Of Mice and Men (1939) -- Keeping It Simple: Our Town (1940) -- "Doing His Bit": The North Star (1943) -- Sophisticated Simplicity: The Red Pony (1949) -- Silence and Sound: The Heiress (1949) -- Hearing the Shift: Copland's Lasting Impact on Hollywood."A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles"--Provided by publisher.Copland, Aaron,1900-1990.Motion picture music.http://id.loc.gov/authorities/names/n2020004803http://id.loc.gov/rwo/agents/n2020004803http://viaf.org/viaf/127158070699208780003Motion picture musicUnited States20th centuryHistory and criticism.Electronic booksEastman studies in music ;vol. 169.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/UKYS7491No-worldcatMPubCataloging 03791cam a2200457 i 450010.7722/VERQ7124MiU20241217194112.0m o d cr cna||||||||211021t20262022enka ob 001 0 eng 9781800105164electronic book1580469701(hardcover)9781800105041(electronic book)9781800105041pdf10.7722/VERQ7124doiMiUengpnrdaMiUe-fr---ML410.W19Orzech, Rachel,author.Claiming Wagner for France :music and politics in the Parisian press, 1933-1944 /Rachel Orzech.Woodbridge :Boydell & Brewer,2026.©20221 online resource :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in musicIncludes bibliographical references and index.A Universal Art : The Cinquantenaire -- Ambassador of Peace : Rapprochement and Wagner, 1933- -- Art and Patrie : The Bayreuth Festival, 1933- -- A Sensitive Question : From Drôle de Guerre to Resistance, 1939- -- Staging Collaboration : The Paris Opéra, 1939- -- Conclusion. From Universalism to Collaboration."This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich. Paradoxically, during one of the darkest periods of French history, as the German threat grew more tangible and then manifested in the Nazi occupation of France, Parisians chose to see in Wagner a universality that transcended his Germanness. As Franco-German diplomatic relations gradually worsened in the 1930s, Wagner became an increasingly integral part of French musical culture. Parisians were unwilling to surrender Wagner to German exclusivist claims. In previous decades the French had used Wagner to symbolize a diverse array of political arguments and positions, from right-wing nationalism to left-wing humanism and egalitarianism, In the 1930s, however, the Parisian press depicted him as a universalist. Although Wagner had stood in for German nationalism and chauvinism in recent periods of Franco-German conflict, in the 1930s Parisians refused this notion and attempted to reclaim his role in their own national history and imagination. Even once war was declared in 1939 and a ban on the performance of Wagner's music was implemented, commentators insisted that it was simply a temporary measure designed to avoid public disturbance. Simultaneously, they maintained that 'music has no borders,' and that 'it is childish to mix art and politics.' The Wagner discourses that emerged from the 1930s Parisian press paved the way for the dominant Wagner discourse in the German-controlled Occupation press: Collaboration through Wagner. By a great irony of history, the concept of Wagner the universalist that had been used to resist the Nazis in the 1930s was transformed into the infamous collaborationist rhetoric promoted by the Vichy government between 1940 and 1944"--Provided by publisher.Wagner, Richard,1813-1883AppreciationFranceParis.Musical criticismFranceParisHistory20th century.MusicPolitical aspectsFranceParisHistory20th century.OperaFranceParis20th century.World War, 1939-1945FranceParisMusic and the war.Electronic booksEastman studies in music.http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/VERQ7124No-worldcatMPubCataloging 02511cam a2200469 i 450010.7722/WRXK5433MiU20241218025608.0m o d cr cna||||||||191218t20262020enkag ob 001 0beng d9781787449664electronic book9781580469722(hardcover)1580469728(hardcover)9781787448834pdf10.7722/WRXK5433doiMiUengpnrdaMiUn-us---ML410.B865Miller, Bonny H.,author.Augusta Browne :composer and woman of letters in nineteenth-century America /Bonny H. Miller.Woodbridge :Boydell & Brewer,2026.©20201 online resource :illustrations (black and white), music texttxtrdacontentstill imagestirdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music,1071-9989 ;v. 164Includes bibliographical references (pages 411-436) and index.First Steps -- Apprentice in a Family Music Business -- Philadelphia Debut -- A Young Professor of Music -- A New Leaf -- Her Own Woman -- Courtship and Consequences -- Pilgrim in Progress -- "Glad Fruition" -- Legacy in Music -- Legacy in Literature -- Contributions to Music Journalism -- A Legacy Written into History -- Appendixes: 1. Children and Descendants of David Samuel Browne and Elizabeth Montgomery Browne -- 2. Chronology of Augusta Browne's Music and Letters -- 3. List of Musical Works -- 4. Selected Glossary."The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern"--Provided by publisher.Browne, Augusta.Women composersUnited StatesBiography.ComposersUnited StatesBiography.http://id.loc.gov/authorities/subjects/sh2008117722MusicUnited States19th centuryHistory and criticism.http://id.loc.gov/authorities/subjects/sh2010102903Electronic booksEastman studies in music ;v. 164.1071-9989http://id.loc.gov/authorities/names/n93090808https://doi.org/10.7722/WRXK5433No-worldcatMPubCataloging 02361cam a2200541 i 450010.7722/ZKNP8770MiU20241218011456.0m o d cr cna||||||||210909t20262021enkagh ob 011 0 eng d9781800103528electronic book9781783276479(hardback)1783276479(hardback)9781800103511pdf10.7722/ZKNP8770doiMiUengpnrdaMiUe-uk---ML285British music, musicians and institutions, c. 1630-1800 :essays in honour of Harry Diack Johnstone /edited by Peter Lynan and Julian Rushton.Woodbridge :Boydell & Brewer,2026.©20211 online resource :illustrations (black and white), facsimiles, music texttxtrdacontentnotated musicntmrdacontentcomputercrdamediaonline resourcecrrdacarrierMusic in Britain, 1600-2000 ;28Includes bibliographical references (pages 279-281) and index.MusicGreat Britain17th centuryHistory and criticism.MusicGreat Britain18th centuryHistory and criticism.MusiciansGreat BritainHistory17th century.MusiciansGreat BritainHistory18th century.MusicSocial aspectsGreat BritainHistory17th century.MusicSocial aspectsGreat BritainHistory18th century.Electronic booksLynan, Peter,editor.Johnstone, H. Diack,honouree.Rushton, Julian,author.Baldwin, Olive,contributor.Burrows, Donald,1945-contributor.http://id.loc.gov/authorities/names/nr2003006508http://id.loc.gov/rwo/agents/nr2003006508http://viaf.org/viaf/114013815http://isni.org/isni/0000000110846083Caldwell, John,contributor.Domoney, Kelly,contributor.Rushton, Julian,editor.Music in Britain, 1600-2000 ;28.http://id.loc.gov/authorities/names/no2014026231http://viaf.org/viaf/306393208https://doi.org/10.7722/ZKNP8770No-worldcatMPubCataloging 02914nam a2200373 i 450010.7722/ZSOY2577MiU20220610054131.0m|||||o||d||||||||cr cna||||||||220609t20262021nyu o 001 0 eng d9781800100190electronic book9781800103504pdf10.7722/ZSOY2577doiMiUengpnrdaMiUML945The clarinet /edited by Jane Ellsworth.Woodbridge :Boydell & Brewer,2026.©20211 online resource (297 pages) texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEastman studies in music ;179Introduction / Jane Ellsworth -- Clarinet Iconography / Eric Hoeprich -- The Chalumeau and Clarinet Before Mozart / Albert R. Rice -- From "Little Trumpet" to Unique Voice : The Clarinet in the Concert Orchestra / Jane Ellsworth -- The Clarinet in Opera Before 1830 : Instrument and Genre Come of Age / Ingrid Pearson -- The Clarinet in Nineteenth-Century Opera / Julian Rushton -- Innovation and Convention in the "Golden Age" of the Clarinet Concerto, ca. 1800-1830 / David Schneider -- Joining the Conversation : The Clarinet Quintet in Classical and Romantic Chamber Music / Marie Sumner Lott -- Important Clarinetists Since 1900 : A Concise Introduction / Jane Ellsworth -- Recreating History? The Early Clarinet in Theory and Practice / Colin Lawson -- The Clarinet in Vernacular Music / S. Frederick Starr."With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge"--Provided by publisher.Clarinet.ClarinetHistory.Electronic booksEllsworth, Jane,author.Eastman studies in music ;179.https://doi.org/10.7722/ZSOY2577No-worldcatMPubCataloging