03491nam a2200469 i 450010.3998/mpub.12212285MiU20250922132601.0m o d cr#unu||||||||250922t20262026miu ob 001 0 eng d9780472078028hardcover9780472058020paperback9780472905799open access ebook0472905791open access ebook10.3998/mpub.12212285doiEYMengrdapnEYMHT119Global urban policy :a framework for analyzing state and society /edited by David Kaufmann and Mara Sidney.Ann Arbor :University of Michigan Press,2026©20261 online resourcetexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references and index.Open accessCities are active policy innovators of global importance, whether responding to climate change, migration, poverty, or health disparities, or aiming to generate growth. Since cities adapt to the needs and interests of global capital, they may implement policies that slight the well-being of everyday residents and the most vulnerable. How cities choose to contribute to a democratic and sustainable future reveals dimensions of political life playing out in society at large. Global Urban Policy suggests that to understand contemporary societal transformation--and political and policy processes more generally--we need to study the policies that cities create and implement. Going beyond thinking of "urban" as a physical site, the authors show that an urban mode of life is one marked by diversity, complexity, chaos, flexibility, and ongoing change. With eleven empirical case studies, the authors examine issues including housing and urban development, migration, climate change, and crime in cities as varied as Berlin, Medellín, Chicago, Accra, Guangzhou, São Paulo, Mumbai, and Saint Etienne. The studies show how contemporary confrontations between public and private property, power and justice, participation and exclusion, wealth and poverty, and emerging technology and existing economic, social, and political structures take physical form in cities. Global Urban Policy engages with theoretical developments in public policy, urban politics, and urban studies to develop and demonstrate a framework for urban policy analysis.This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International Licensehttps://creativecommons.org/licenses/by-nc/4.0/Description based on information from the publisher.Urban policy.Urban renewal.Housing.City dwellers.Electronic books.Kaufmann, David,1985-editorhttps://id.oclc.org/worldcat/entity/E39PBJrcmJfWtdJQ7QvxDG4yVChttps://orcid.org/0000-0002-4185-4550https://ror.org/05a28rw58Sidney, Mara S.,1964-editorhttps://id.oclc.org/worldcat/entity/E39PCjyTGQ9FxVwF9Vym7PxvH3https://orcid.org/0000-0002-7870-779Xhttps://ror.org/05vt9qd57Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.122122850No-worldcatRecordExternalImportMPubCataloging 02607nam a2200445 i 450010.3998/mpub.12734862MiU20260309093828.0m o d cr#unu||||||||260309t20262026miuao ob 000 0 eng d9780472905768open access ebook0472905767open access ebook10.3998/mpub.12734862doiEYMengrdapnEYMLB1068371.335Olson, Christa J.,1978-author.https://id.oclc.org/worldcat/entity/E39PBJbCHkJwM9ttgq3VJfGj4qOn visual rhetoric /Christa J. Olson and Brandee Easter.Ann Arbor :University of Michigan Press,[2026]©2026.1 online resource [192 pages] :illustrations, photographs (some color)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references.Open accessHow do the things we see shape values, beliefs, and actions? Why do viewers come to different conclusions when looking at the same thing? Why do people assume that "seeing is believing" in the age of AI-generated imagery? On Visual Rhetoric responds to these questions, helping readers and viewers consider how the visual intervenes in the world in ordinary and extraordinary ways. Looking at a wide array of pictures, habits, processes, and contexts, Christa J. Olson and Brandee Easter make the case for defining "the visual" broadly so that it includes not only visual objects, but also intangible images, visual technologies, and the cognitive-physical act of seeing. On Visual Rhetoric provides a robust, flexible heuristic for studying visual rhetoricity that not only draws together the vast array of existing case studies and concepts but also raises new questions and concerns for scholars.Sponsored by Sweetland Digital Rhetoric CollaborativeThis work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International Licensehttps://creativecommons.org/licenses/by-nc/4.0/Description based on information from the publisher.Visual literacy.Visual perception.Electronic books.Easter, Brandee,author.Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.127348620No-worldcatRecordExternalImportMPubCataloging 02783nam a2200469 i 450010.3998/mpub.12851428MiU20250812124121.0m o d cr#unu||||||||250812t20262026miu ob 001 0 eng d9780472905744open access ebook0472905740open access ebook9780472057979paperback9780472077977hardcover10.3998/mpub.12851428doiEYMengrdapnEYMQC981.8.G56Stuart, Diana,author.Rejecting climate doomism /Diana Stuart.Ann Arbor :University of Michigan Press,2026©20261 online resource (117 pages)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierAs scientists call for widespread climate action, there has been an alarming rise in climate doomism, the belief that it is too late to do anything about climate change. Many people who struggle to imagine the solutions and social order that would be needed to support more sustainable outcomes instead look away and do nothing, immobilized by defeatist thinking. Yet every fraction of a degree of warming avoided means saving lives and livelihoods in the future. Drawing from climate science, sociology, psychology, and philosophy, Rejecting Climate Doomism outlines the reasons to instead choose action grounded in active hope. It examines how global warming could be effectively limited through specific policy proposals. Despite the many obstacles to achieving some of the policies discussed in this book, they are still possible and worth pursuing. By outlining a positive vision of the far-reaching changes that can be used to minimize warming, the book encourages readers to advocate for the social and economic changes necessary to forge the best path for people and the planet.Includes bibliographical references (pages 109-116) and index.Open accessThis work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License.https://creativecommons.org/licenses/by-nc/4.0/Description based on information from the publisher.Global warmingPrevention.Climatic changesSocial aspects.Climate and civilization.Environmental protection.Environmental policy.Electronic books.Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.128514280No-worldcatRecordExternalImportMPubCataloging 03559nam a2200517 i 450010.3998/mpub.12899731MiU20250919104018.0m o d cr#unu||||||||250919t20262026miua ob 001 0 eng d9780472905720open access ebook0472905724open access ebook9780472057955paperback9780472077953hardback10.3998/mpub.12899731doiEYMengrdapnEYMengjpnPL716Modern Japanese literary studies /Seth Jacobwitz and Jonathan E. Abel, Editors.Ann Arbor :University of Michigan Press,2026.©20261 online resource (255 pages) :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierMichigan Monograph Series in Japanese Studies106In English, with some texts in Japanese script and romanized.Includes bibliographical references and index.Open accessModern Japanese Literary Studies brings together a broad range of interdisciplinary and institutional perspectives on the state of the field and presses for overdue recognition that Japanese literature is not only a national or East Asian literature, but also deserves equitable representation in the humanities. Modern Japanese literature today is read in unison with colonial and postcolonial literature, women's literature, LGBTQ literature, diasporic literatures, Indigenous literatures, visual cultures, and disability studies, and has made innovative contributions across the humanities. Bringing together sixteen scholars from North America, Asia, and Europe, this volume addresses Japan's place in global modernity and world literature; the changing definition of the literary within the national canon and area studies configurations; the increased prominence of manga and visual media studies; heightened sensitivity to issues of race, gender, sexuality, and LGBT studies; and the advent of ecocriticism, among other emerging paradigms. The primary objective of this book is to assess the field's study, teaching, research, and cataloging practices and identify challenges and opportunities for growth that lie ahead for the field amidst the ongoing crises that are reshaping the contemporary academic landscape.This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International Licensehttps://creativecommons.org/licenses/by-nc/4.0/Description based on information from the publisher.Japanese literatureHistory and criticism.Literature, ModernJapanese influences.Japanese literatureForeign influences.Literature, ModernHistory and criticism.Electronic books.Jacobwitz, Seth,editor,https://orcid.org/0000-0002-4172-5046https://ror.org/05h9q1g27Abel, Jonathan E.,1971-editor,https://id.oclc.org/worldcat/entity/E39PCjChBX9VJWrvG8kQj6YhQChttps://orcid.org/0000-0002-9062-6861https://ror.org/04p491231Michigan Publishing (University of Michigan),publisher.Michigan monograph series in Japanese studies ;106.https://doi.org/10.3998/mpub.128997310No-worldcatRecordExternalImportMPubCataloging 05374nam a2200469 i 450010.3998/mpub.14408934MiU20250917081102.0m o d cr#unu||||||||250916t20262026miua ob 000 0 eng d9780472905737(ebook)0472905732(ebook)9780472077960(hardcover)9780472057962(paperback)10.3998/mpub.14408934doiEYMengrdapnEYMPN3160.A34Late stage :theatrical perspectives on age and aging /edited by Benjamin Gillespie and Cindy Rosenthal, with Elinor Fuchs.Theatrical perspectives on age and agingAnn Arbor :University of Michigan Press,2026.©20261 online resource :(illustrations)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references.Late Stage: Theatrical Perspectives on Age and Aging represents the first comprehensive anthology to critically interrogate the intersection of age studies with theater and performance studies. Undoing the notion of a singular, continuous self as we age--an assumption that negatively positions old age in opposition to youth--this volume challenges biological imperatives imposed by essentialist views of aging. Late Stage reconceptualizes age as an additional dimension of identity constituted through the sociocultural systems that shape the material body over time. The collection portrays aging as a dynamic and evolving process, countering ageist narratives of decline and stereotypes that homogenize later life as a fixed, undesirable state. By exploring themes such as intergenerational dialogue, elder sexualities, late style, casting practices, age-related caregiving, and artistic longevity, contributors reposition later life into complex narratives that resist normative age scripts. Drawing on gender studies, queer and feminist theory, and disability studies, the collection bridges performance analysis with theoretical frameworks and collectively addresses how aging is experienced, represented, and resisted across time and cultures. Late Stage explores key works by canonical and contemporary figures such as Anton Chekhov, Henrik Ibsen, Caryl Churchill, Clare Barron, Naomi Iizuka, Tracy Letts, David Lindsay-Abaire, Judith Malina, Robbie McCauley, Florian Zeller, and Peggy Shaw. With its innovative approach, Late Stage serves not only as a critical text for courses on performance and age, but as a call to action for expanding conversations around age in theater and society.List of Figures - Acknowledgements - Foreword -- Introduction: time she stopped / Benjamin Gillespie and Cindy Rosenthal -- Part I. Dramaturgies of Aging and Late Style -- 1. a. Estragement: Towards an "Age Theory" Theatre Criticism -- b. Rehearsing Age / Elinor Fuchs -- 2. Aging and the Time of Estragement in Chekhov's Drama / Yana Meerzon -- 3. Pathologizing Aging Femininity: The Mad Older Woman in Tracy Letts' August: Osage County and Florian Zeller's The Mother / Nuria Casado-Gual and Inesa Schevchenko-Hotsuliak -- 4. Caryl Churchill's Late Style / R. Darren Gobert -- Part II. (Re)Casting Age -- 5. Age-conscious Casting: Comedy and the Middle-Aged Ingenue / Valerie Barnes Lipscomb -- 6. Differential Ageism: Aging and Asian American Identity in Out of Time / Dorothy Chansky -- 7. Haunted by the Specters of What They Will Become: St(age) Directions and the Default Body / Bess Rowen -- 8. Aging from Queer and Trans Perspectives: laGeste's Gardenia-10 Years Later (2021) / Heunjung Lee -- Part III. Autobiography and the Aging Body/Self -- 9. "The Triumph of Time": Utopic Visions of Judith Malina's Late Performances / Cindy Rosenthal -- 10. I Feel Memories in My Body More Than Ever / Robbie McCauley and Daniel Alexander Jones -- 11. Rehearsing for Revolution: Autobiographical Performance Arouses Utopian Performativity in Sonic Elder / Julia Henderson -- 12. Queering Age and Memory/Loss in Peggy Shaw's Ruff / Benjamin Gillespie -- Part IV. Time, Empathy, and Care -- 13. The Melody of Aging: Interview with Bonnie Marranca / Hillary Miller -- 14. Age Simulation: The Ultimate Dress Rehearsal / Scott Magelssen -- 15. Bringing Down the Curtain: Robotic Animals and Technologies of Aging / Jennifer Parker-Starbuck -- 16. At this Time (Or My Friend Elinor) / Anne Davis Basting.Description based on information from the publisher.Theater and older people.Old age in literature.Aging in literature.Electronic books.Gillespie, Benjamin,editorhttps://orcid.org/0000-0003-2177-4243https://ror.org/023qavy03Rosenthal, Cindy,1954-editorhttps://id.oclc.org/worldcat/entity/E39PCjyWPvfbrjMXTBDPd9Wtw3https://orcid.org/0009-0004-7935-7535https://ror.org/03pm18j10Fuchs, Elinor,editor.https://id.oclc.org/worldcat/entity/E39PBJxCDRMFFDMXhV73TQ6dwCMichigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.14408934No-worldcatRecordExternalImportMPubCataloging 02436nam a2200445 i 450010.3998/mpub.14461360MiU20250721133105.0m o d cr#unu||||||||250721t20262026miu ob 001 0 eng d9780472222506(ebook)0472222503(ebook)9780472133680(hardcover)10.3998/mpub.14461360doiEYMengrdapnEYMenglate------aw-----ff-----PA6747Warhover, Emma,author,https://ror.org/001m1hv61Humor in the historical works of Tacitus /Emma Warhover.Ann Arbor :University of Michigan Press,2026.©20261 online resource (184 pages)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierEnglish and Latin.Includes bibliographical references (pages 175-184) and index.Emma Warhover's Humor in the Historical Works of Tacitus explores how the ancient Roman historian Tacitus incorporated humor into his historical works and unveil the significance of these humorous motifs. Since the historian was one of the most important ancient sources on Rome's emperors Tiberius, Claudius, and Nero, readers of Tacitus have long been challenged by his purposely opaque style, full of unbalanced grammatical constructions and end-of-the-sentence surprises. Tacitus' strange prose style reflects the remarkable times about which he writes, when emperors made bizarre and contradictory demands on their subjects and told obvious lies to cover up the cruelty of their regimes. In serious texts like Tacitus' historical works, humor can expose hypocrisy in the powerful, demonstrate the absurdity of imperial pronouncements, and simultaneously communicate why such offenses were allowed to stand.Description based on information from the publisher.Tacitus, CorneliusCriticism and interpretation.Wit and humor, AncientAuthorship.HistoriographyRome.Electronic books.Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.144613600No-worldcatRecordExternalImportMPubCataloging 02706nam a2200493 i 450010.3998/mpub.14463158MiU20250715153423.0m o d cr#unu||||||||250715t20262026miua ob 001 0 eng d9780472905751(open access ebook)0472905759(open access ebook)9780472057993(paperback)9780472077991(hardcover)10.3998/mpub.14463158doiEYMengrdapnEYMPL809.Z9Bassoe, Pedro Thiago Ramos,author,https://orcid.org/0000-0003-4285-9158https://ror.org/02dqehb95Supernatural Japan :Izumi Kyōka and the global fantastic /Pedro Thiago Ramos Bassoe.Ann Arbor :University of Michigan Press,2026.©20261 online resource (249 pages) :illustrations (some color)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierMichigan monograph series in japanese studies107Includes bibliographical references (pages 211-249) and index.Open accessSupernatural Japan examines the role of Japanese writer Izumi Kyōka (1873-1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya, The Grass Labyrinth, and The Castle Tower. Despite the clearly modernist elements and global influences of Kyōka's fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form.This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.https://creativecommons.org/licenses/by-nc/4.0/Description based on information from the publisher.Izumi, Kyōka,1873-1939Criticism and interpretation.Supernatural in literatureHistory19th century.Supernatural in literatureHistory20th century.Literature and historyJapanHistory19th century.Literature and historyJapanHistory20th century.Electronic books.Michigan Publishing (University of Michigan),publisher.Michigan monograph series in Japanese studies ;107.https://doi.org/10.3998/mpub.144631580No-worldcatRecordExternalImportMPubCataloging 03508nam a2200517 i 450010.3998/mpub.14493839MiU20250919104050.0m o d cr#unu||||||||250919t20262026miua ob 000 0 eng d9780472905713(open access ebook)0472905716(open access ebook)9780472077939(hardcover)9780472057931(paperback)10.3998/mpub.14493839doiEYMengrdapnEYMHB95Seri, Guillermina,authorhttps://id.oclc.org/worldcat/entity/E39PCjvvPTbdRKt4y6MhGM8bq3https://orcid.org/0000-0003-2636-4068https://ror.org/058w5nk68Neoliberalism and unlawful governance :the crisis of democratic rights /Guillermina Seri.Crisis of democratic rightsAnn Arbor :University of Michigan Press,2026.©20261 online resource (272 pages) :illustrationstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references.Open accessNeoliberalism and Unlawful Governance explores how democratic governments continue to exclude and abuse people. It examines the authoritarian roots of neoliberal policies that portray markets as the solution to every single problem and how these policies have been prioritized above democracy, human rights, and even nature. By examining global trends, the book identifies neoliberalism as the current dominant expression of capitalism. Grounded in emergency, security, police mechanisms, and the politics of the spectacular, this framework helps explain the rationale behind the persistence of unlawful governance and its legitimizing strategies. In looking at the ways in which people resist, the book honors the perspective of the excluded and the voices of those most immediately affected by neoliberal austerity--from activists defending land and rights to communities subjected to various forms of exploitation, extractivism, and displacement. Bringing in these voices and theoretical perspectives, including from beyond the English-speaking world, this book highlights alternative ways of thinking about democracy and rights, drawing from the tradition of the commons. Through its deep analysis of history, theory, and world events, Neoliberalism and Unlawful Governance offers fresh insights into how various forms of emergency measures, policing, and security are used to privilege markets over people and the planet, while also emphasizing the crucial role of popular movements in defending and expanding democratic rights and to rebuilding commons.This work is licensed under the Creative Commons Attribution-Non-Commercial 4.0 International Licensehttps://creativecommons.org/licenses/by-nc/4.0Description based on information from the publisher.Neoliberalism.Authoritarianism.Capitalism.World politics.Political ethics.Discrimination.Democracy.Civil rights.Electronic books.Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.144938390No-worldcatRecordExternalImportMPubCataloging 02710nam a2200445 i 450010.3998/mpub.14495047MiU20250722123003.0m o d cr#unu||||||||250722t20262026miud ob 001 0 eng d9780472222513ebook0472222511ebook9780472057986paperback9780472077984hardcover10.3998/mpub.14495047doiEYMengrdapnEYMLB1778Stanfill, Mel,1983-author,https://orcid.org/0000-0002-8227-1570https://ror.org/0354w0y78.https://id.oclc.org/worldcat/entity/E39PCjKcVykd8RFXwrTx3kq9tCProfessor Superstar :fandom and anti-fandom of academia /Mel Stanfill .Ann Arbor :University of Michigan Press,2026.©20261 online resource (x, 315 pages) :chartstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 183-214 pages) and index.Description based on information from the publisher.Examining celebrity and fan studies together, Professor Superstar argues that academia shares key traits with fandom, including collective emotional investment, shared interpretation of texts, and identity formation. Universities are often seen as isolated from everyday life, creating an atmosphere of both fascination and resentment. Some academics even go on to become field-specific microcelebrities. Some celebrate their influence while others resent their prominence, leading to both fandom and anti-fandom and reflecting broader social struggles as universities become battlegrounds for economic and political debates. The audiences engaging with academia extend beyond the students and faculty directly involved, creating multiple and conflicting interpretations of what academia represents. Public perceptions of academia are shaped less by its reality than by competing narratives about its role in society. By taking these dynamics seriously, we can better understand the cultural forces shaping both admiration and hostility toward higher education.College teachersAttitudes.Universities and collegesFaculty.Celebrities.Fans (Persons)ReputationSocial aspects.Electronic books.Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.144950470No-worldcatRecordExternalImportMPubCataloging 03370nam a2200469 i 450010.3998/mpub.14590346MiU20251008130932.0m o d cr#unu||||||||251008t20262026miuad ob 001 0 eng d9780472222483ebook0472222481ebook9780472057917paperback9780472077915hardcover10.3998/mpub.14590346doiEYMengrdapnEYMML3812Conrad, Tony.author.https://id.oclc.org/worldcat/entity/E39PBJpjjdDj9WdfT7GBWBCmh3What music did :the story of numerocracy in the West /Tony Conrad ; Edited by Patrick Nickleson.Ann Arbor :University of Michigan Press,2026.©20261 online resource (443 pages) :illustrations, chartstexttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierIncludes bibliographical references (pages 395-442) and index.In What Music Did, experimental filmmaker and violinist Tony Conrad explores in depth the relationship between music and mathematics. A work of decades that was left unfinished at the time of his death in 2016, Conrad's expansive history of the interrelationship of music and mathematics is published here for the first time. Editor Patrick Nickleson describes Conrad's method as that of an anarchic, interarts haberdasher; much of the research comes from musty and out-of-print sources, giving the impression that Conrad followed paths opened up for him in used book shops and conversations, rather than seeking a direct scholarly argument. Throughout the book, readers encounter scenes from over two thousand years of history, mathematics, and music: Pythagoras using pebbles to articulate didactic number games to his disciples; Galileo fretting a hill and listening with a musician's ear to calculate the rate of acceleration under gravity; Rameau trapping Western music in a five-limit tuning system, and what could have been if he were more adept with numbers. Even when drawing on classical sources to explore canonical figures like Saint Augustine, What Music Did offers idiosyncratic critical insights that highlight our ongoing cultural reverence when answers result in simple whole number ratios like 3:2, 4:3, or 5:4. What Music Did is Tony Conrad's extended indictment of music's role, from the Pythagoreans to the twentieth century, in upholding the use of number as a clandestine and circumscribed armature of power.Description based on information from the publisher.Musical intervals and scalesHistory.Musical temperamentHistory.Music theoryMathematics.Music theory.MusicPhilosophy and aesthetics.Pythagorean theorem.Electronic books.Nickleson, Patrick,editor,https://id.oclc.org/worldcat/entity/E39PCjyG8JC8CvwY7fXkHd9vBKhttps://orcid.org/0000-0002-2588-133Xhttps://ror.org/05m7pjf47Michigan Publishing (University of Michigan),publisher.https://doi.org/10.3998/mpub.14590346No-worldcatRecordExternalImportMPubCataloging 02276nam a2200505 i 450010.3998/mpub.14600788MiU20250722075114.0m o d cr#unu||||||||250722t20262026miua ob 001 0 eng d9780472057825paperback book9780472077823hardcover book9780472905430open access ebook0472905430open access ebook10.3998/mpub.14600788doiEYMengrdapnEYMHT148.A2Post-global city :theorizing technology cultures in urban Africa /Katrien Pype, Omolade Adunbi, and Michael M. J. Fischer, editors.Theorizing technology cultures in urban AfricaAnn Arbor :University of Michigan Press,2026.©20261 online resource (1 volume :illustrations)texttxtrdacontentcomputercrdamediaonline resourcecrrdacarrierAfrican PerspectivesIncludes bibliographical references (pages 233-254) and index.Open accessThis work is licensed under a Creative Commons Attribution-Non-Commercial 4.0 International Licensehttps://creativecommons.org/licenses/by-nc/4.0Description based on information from the publisher.Sociology, UrbanAfrica21st century.Technological innovationsAfrica21st century.Information technologyAfrica21st century.Cities and townsAfrica21st century.Electronic books.Pype, Katrien,editor.https://id.oclc.org/worldcat/entity/E39PCjvPTpHxgjfjWWmMG3pRXdAdunbi, Omolade,editor.https://id.oclc.org/worldcat/entity/E39PBJx4pVTvBkW7F99GvrpwYPFischer, Michael M. J.,1946-editor.https://id.oclc.org/worldcat/entity/E39PBJrKVFYg4f8qxCp9QQ7fv3Michigan Publishing (University of Michigan),publisher.African perspectives (University of Michigan. Press)https://doi.org/10.3998/mpub.146007880No-worldcatRecordExternalImportMPubCataloging